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In the afternoon the Minister came to take us to the palace. The Rajah, with his cousins, met us at the[Pg 66] foot of the grand staircase; a detachment of sowars were on guard. With great ceremony, preceded and followed by an army of officials and attendants, we went up to a room where a silver throne, inlaid with gold, of exquisite workmanship, between two armchairs of massive silver, looked quite out of keeping with gilt wood chairs with tapestry seats, and the everlasting Brussels carpet of poor and glaring design. On the various tables was the latest trumpery from Oxford Streetplush frames and varnished wooden screens; a shower of glass lustres hung from the ceiling.

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Then from afar came the sound of tom-toms and bagpipes, nearer and nearer, and the musicians became visible at the top of one of the stair-like alleys. First came the men, then the women. One of these, robed in pale green with a violet and silver saree, carried a child in her arms wrapped in a red dress embroidered with gold. He was this day six[Pg 160] months old; he had eaten rice, and was brought to see the sacred Ganges for the first time. The family, friends, and neighbours had assembled in honour of the great ceremony, which consisted in holding the infant face downwards over the water, which he scarcely saw with half-shut eyes; and then the procession went back again to the sound of the music, and was gone.The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.

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THREE:He appeared without a sound, visible only as a white figure, his brown face lost, effaced in the gloom of the dimly-lighted room. For a moment I had a really uncanny sensation at this headless apparition, but in an instant there was the gleam of a row of brilliant teeth, the light in the eyes, and the eternally smiling face of the household coolie.Women porters came on foot, hidden under bales, nets full of crocks, faggots, and trusses of hay.[Pg 248] Children, and women in sareesfine ladieshad nothing to carry; some were wrapped in yashmacks, shrouding them from head to foot with a little veil of transparent muslin over their eyes.

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THREE:Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.

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TWO:Fields of betel pepper, broad-leaved and fleshy, carefully enclosed with matting, were watched over by two or even three men, armed with heavy cudgels.

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In the distance is the great mosque which no unbeliever may enter; the doors stand wide open. The only ornaments on the white walls are the lamps, hung with red. In the court of the mosque,[Pg 97] under magnificent trees, are the tombs of the Nizams, with stone lattices, jewellery of marble, fragile pierced work, whereon wreaths of pale flowers are wrought with infinite grace. Near these tombs are two large fountains, where a crowd of men were bathing, talking very loud; and a large basin of porphyry full of grain was besieged by grey pigeons.Pilgrims crowd the courts and the temples. All, when they speak, hold a hand or a corner of their[Pg 76] robe before their lips to avoid swallowing the tiniest insect, which would avert the favour of the gods. They bring offerings of rice or gram in little bags of faded silk, pale pink, or green, and gold thread; the poorest have bags of red and white beads.
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