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ONE:The royalist sympathies and associations of Mme. Le Brun made her particularly obnoxious to the Radical party, to whom lies and calumnies were all welcome as weapons to be used against political opponents. She was therefore assailed by shoals of libels, accusing her of a liaison with M. de Calonne, by people who were absolutely unknown to her.For nothing was safe from her pencil: her books, her copy-books, even those of her schoolfellows, the walls of the dormitory, every available space was covered with heads, figures, and landscapes in crayon or charcoal, and when out in the playground she drew with a stick upon the sand.
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TWO:It was very difficult just then to get money from France, and she had even to advance some for Mademoiselle dOrlans. Remembering what had happened to La Fayette, she was very much afraid of falling into the hands of the Austrians; on the other hand she could not go into France [437] without a permission, which she was silly enough to ask for, but luckily for herself, could not get.The King, Queen, and Dauphin appeared, and there was an outburst of loyalty in which the gardes-nationales joined. The band struck up Richard o mon roi; the ladies of the Court who had come into the boxes tore up their handkerchiefs into white cockades, the young officers climbed up into the boxes to get them; the evening finished with a ball, and in a frenzy of loyalty.
TWO:Much older than the unfortunate Queen of France, and possessing neither her beauty nor charm, Mme. Le Brun did not take a fancy to her, although she received her very well. She was a strange person, with masculine manners and habits; her great pleasure apparently was riding. Very pale and thin, wearing deep mourning for her brother, the Emperor Joseph II., even her rooms being hung with black, she gave the impression almost of a spectre or a shadow.From this time began her brilliant career. Essentially a woman of the world, delighting in society and amusement, though always praising the pleasures of solitude and retirement, she entered the household of the Duchesse dOrlans, wife of the infamous Philippe-galit, and while constantly declaiming against ambition managed to get all her relations lucrative posts at the Palais Royal, and married one if not both her daughters to rich men of rank with notoriously bad reputations.
TWO:Mon beau voyage encore est si loin de sa fin;It had great success at the Salon, was engraved by Müller, and was one of those amongst her works which decided Joseph Vernet, shortly after her return, to propose her as a member of the Royal Academy of Painting. She was duly elected, in spite of the opposition of M. Pierre, who was painter to the King, and a very bad painter too.
THREE:Vien, who had been first painter to the King; Grard, Gros, and Girodet, the great portrait painters (all pupils of David), and her old friend Robert, were constant guests. With David she was not on friendly terms; his crimes and cruelties during the Revolution caused her to regard him with horror. He had caused Robert to be arrested, and had done all he could to increase the horrors of his imprisonment. He had also tried to circulate the malicious reports about Calonne and Mme. Le Brun, of whom he was jealous, though his real love for his art made him acknowledge the excellence of her work.
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THREE:However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.Yes, Monsieur; you put it into the right-hand pocket of your coat.