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And amidst all the oppression, vice, and evil of which we hear so often in France of the eighteenth century, there was also much good of which [10] we hear little or nothing. The reason is obvious. Good people are, unfortunately, seldom so amusing to write or read about as bad ones. Has any one ever met with a child who wanted to be told a story about a good little girl or boy? And is it not true, though lamentable, that there are many persons who would rather read a book about a bushranger than a bishop?Louis XVI., the only one of the family who saw the necessity of order and economy, was furious, and declared that the treasury of the State should not be squandered to satisfy the fancies of a prostitute, that the Comte dArtois must manage as he could, that he forbade Turgot to give him the money, and that the Comte dArtois was to be sent to him at once.
 
ONE:When at length she arrived in St. Petersburg she found the city in a frenzy of delight. They danced in the streets, embracing each other, and exclaiming

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TWO:Yes, we are, replied the brothers.

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TWO:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
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FORE:Mme. de Genlis, though she did not go much into society, being now exceedingly royalist, was [476] presented at court, and must have recalled those far off days when she drove down to Versailles with Mme. de Puisieux to be presented to the magnificent Louis XV.

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FORE:The first meeting of Trzia with the man who was to play the most important part in her life took place in the studio of Mme. Le Brun, to be painted by whom was then the height of fashion. Mme. Le Brun, enraptured with her beauty and dissatisfied with her own representation of it, was a long time altering and retouching, and every day saw some new improvement to make.

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FORE:But her first impressions were very painful, notwithstanding her emotion when first she heard the people around her speaking French, saw the towers of Notre Dame, passed the barrire, and found herself again driving through the streets of Paris.

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FORE:His sister milie was not so fortunate. Arrested upon some frivolous pretext, she was thrown into prison. In desperate anxiety Carle flew to David, who, though a terrorist himself, was a comrade and friend of his, and would surely use his influence to help them. David, however, either could or would do nothing; Mme. Chalgrin was dragged before the revolutionary tribunal, convicted of having corresponded with the princes, condemned, and executed.Whatever may be said for or against emigration, one thing is apparentthose who emigrated early [251] saved not only their lives, but, if they were commonly prudent, part of their property also. Those who emigrated late saved their lives, but lost all their property; while those who remained, or returned, were most likely to lose their liberty, if not their lives.

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FORE:CHAPTER VII

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FORE:Capital letter D[452]

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TWO:As to the other daughter, Mme. de Valence, her marriage had turned out just as might have been [409] foretold by any one of common sense. M. de Valence did not change his conduct in the least, he was still one of the most dissipated men in Paris though he never stooped to the dishonour of Philippe-galit. He remained always the favourite of Mme. de Montesson, who at her death left her whole fortune to him.
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THREE:Many of the stories told and assertions made upon the subject are absolutely false, others greatly exaggerated; although nobody who has ever studied the history of any country would imagine that any prison ever existed anywhere, until within the last few years, without a record of crime, oppression, and cruelty.
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THREE:It is therefore evident that at the time of which Mme. de Genlis is writing, the middle of May, the Duchess of Orlans was in prison. Also that the Marquis de Sillery, her husband, had not been detained in the Abbaye, as from his letter she had supposed, but was only under supervision till the 7th of April.
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THREE:Well, then, that is all the more reason why you should not refuse what I offer you.
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TWO:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.About the former, who was deeply in love with her, and most anxious to make her his wife, she did not care at all. She found him tiresome, and even the prospect of being a princess could not induce her to marry him. Besides, she had taken a fancy to the Marquis de Fontenay, whom she had first met at the house of Mme. de Boisgeloup, who was much older than herself, and as deplorable a husband as a foolish young girl could choose.
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TWO:
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TWO:The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.For no one knew better than he did the histories and genealogies of his noblesse, and that he did not hesitate to explain them even when to his own disadvantage, the following anecdote shows:
THREE:The Duc de Noailles, her father, finding he could not recover his h?tel, returned philosophically to Switzerland, and bought a house on the Lake of Geneva. He had married the Countess Golowskin, which at first was a grief to his daughters, but after a time they were reconciled to the idea, and got on very well together.
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Take it, mon ami, she said, I am your country-woman, you need not be ashamed to receive a little help from me.Jeanne Le Brun was, according to her mother, pretty, clever, extremely well-educated, charming in manner, and universally admired. Allowing for her infatuation, it was probable that her daughter was attractive. She was now seventeen, and went into society with her mother, whose foolish admiration and flattery encouraged all her faults.Adieu, citoyenne, said Tallien, resuming his official manner. My aide-de-camp will go at once to the revolutionary tribunal, while I myself explain to the Comit the error of which you are the victim.During her exile in England, she was in the habit of visiting and helping the French who were poor or sick, and one day being in a hospital, and seeing a French soldier evidently very ill, she spoke to him with compassion and offered him money, which he refused, with a strange exclamation, apparently of horror.Each nun had a comfortable cell, and a pretty little garden of her own in the enclosure of the vast garden of the abbey. One nun, who was considered especially fortunate, had in her garden a rock from which came a spring of delicious water.Kaunitz was now eighty-three years old, tall, thin, and upright. His great intellect, taste, and judgment seemed unimpaired, and he prided himself on his perfect seat on horseback. In costume and appearance he resembled the splendid cavaliers of the court of Louis XIV.
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