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ONE:
TWO:Defended the King! A fine defence, truly! You might as well say that if I give a man poison, and then, when he is in the agonies of death, present him with an antidote, I wish to save him. For that is the way your grandfather defended Louis XVI.

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THREE:Sire, when are these two pictures to be exhibited?
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THREE:

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THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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THREE:[40]One night, at a masked ball, a young man accidentally in a crowd pushed against a woman, who cried out.

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The poet Le Brun-Pindare, dressed in a long purple cloak, represented Anacreon. The other guests were M. and Mme. Vige, her brother, M. de Rivire, Mme. Chalgrin, daughter of Joseph and sister of Charles Vernet, Mme. de Bonneuil and her pretty child, afterwards Mme. Regnault de Saint-Jean dAngely, the Marquis de Cubires, the Comte de Vaudreuil, M. Boutin, M. Gingun, and the famous sculptor Chaudet.Rosalie de Grammont survived her for thirteen years, and died at the age of eighty-fivethe last of the five sisters.The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said
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