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The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.

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TWO:David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.

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ONE:They found a farm, settled themselves in it, and after a time M. de Montagu was added to the household, [250] for he came to see his wife, and their joy at meeting so touched Mme. de Tess, that she said he had better stay altogether.Lisette at first wished to refuse this offer. She did not at all dislike M. Le Brun, but she was by no means in love with him, and as she could make plenty of money by her profession, she had no anxiety about the future and no occasion to make a mariage de convenance. But her mother, who seems to have had the talent for doing always the wrong thing, and who fancied that M. Le Brun was very rich, did not cease to persecute her by constant representations and entreaties not to refuse such an excellent parti, and she was still more influenced by the desire to escape from her step-father, who, now that he had no occupation, was more at home and more intolerable than ever.

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ONE:The next morning they went to Raincy, where the Duke and M. de Sillery spent the whole of the day with them. The infatuation between the Duke and Mme. de Genlis seems to have been at an end, if we may trust her account of that last day.

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ONE:

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ONE:The days were as happy as the evenings, for they were spent in her fathers studio, where he allowed her to paint heads in pastel and to draw all day long with his crayons.

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ONE:David turned pale, made his escape, and for a long time would not go to the house for fear of meeting her. [49] She was afterwards told by Gros that David would like to go and see her, but her silence expressed her refusal. Soon after the return of Mme. Le Brun, Napoleon sent M. Denon to order from her the portrait of his sister, Caroline Murat. She did not like to refuse, although the price given (1,800 francs) was less than half what she usually got, and Caroline Murat was so insufferable that it made the process a penance. She appeared with two maids, whom she wanted to do her hair while she was being painted. On being told that this was impossible, she consented to dismiss them, but she kept Mme. Le Brun at Paris all the summer by her intolerable behaviour. She was always changing her dress or coiffure, which had to be painted out and done over again. She was never punctual, and often did not come at all, when she had made the appointment; she was continually wanting alterations and giving so much trouble, that one day Mme. Le Brun remarked to M. Denon, loudly enough for her to hearThe lad understood, blushed crimson, and retired, profoundly grateful for being let off so easily. Neither was the lesson lost upon him; after this he played no more.

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ONE:Beautiful, both in face and form, imaginative, brilliant, and fascinating; with charming manners and lax morality, her passionate love of art and natural beauty attracted her to Lisette, who found in her the companion she had long wished for.

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ONE:
TWO:No one can judge of what society in France was, wrote Mme. Le Brun in her old age, who has not seen the times when after the affairs of the day were finished, twelve or fifteen agreeable people would meet at the house of a friend to finish the evening there.

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THREE:In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.TWO years and a half had passed and Mme. Le Brun had no desire to leave Vienna, when the Russian Ambassador and several of his compatriots urged her strongly to go to St. Petersburg, where they said the Empress Catherine II. would be extremely pleased to have her.
With the Vernet family, too, she was on intimate terms. The landscape painter, Joseph Vernet, was always a kind friend to her. His son Charles, or Carle, as he was called, was also an artist, and his daughter milie, the wife of M. Chalgrin, was constantly at her house.Because, if I spoke differently, he would denounce me to the Jacobins and have me guillotined.She was surrounded by those who talked of virtue, but practised vice; her husband was amongst the most corrupt of that vicious society; they soon ceased to care for each other; and she was young, beautiful, worshipped, with the hot Spanish blood in her veins and all the passion of the south in her nature, what but one result could be expected?
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