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One Sunday in October, 1796, Lisette went, after mass, to the palace to present the portrait she had just finished of the Grand Duchess Elizabeth.
FORE:Mme. de Genlis, however she might blind herself, must have known quite well the real character of Philippe-galit, and if she had all the desire she professed for the virtue and welfare of her pupils, she can hardly have thought that the example of one of the most dissipated scoundrels in France, whose health, as she owns, was early impaired by his vices, would be desirable for them to follow.Ni mon sommeil ne sont en proie.

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FORE:The hot weather she used to spend at some house [137] she took or had lent to her in the country near St. Petersburg.In the convent they were safe and at peace, except for another illness of Mademoiselle dOrlans, which left her so weak that Mme. de Genlis was afraid to tell her of the execution of her father in the November of 1794. She persuaded her not to read the French papers, telling her they were full of blasphemies and indecencies not fit for her to see. She had already received news of the execution of her husband, M. de Sillery, by which she was prostrated for a time.

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FORE:Filled with alarm and sorrow, she hurried to the Princess Dolgorouki, where Count Cobentzel brought them constant news from the palace, where desperate but fruitless efforts were being made to revive the Empress.

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FORE:De Marat,

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FORE:It was impossible to spare much time to be absent from Paris, but Mme. Le Brun often spent two or three days at the magnificent chateaux to which she was invited, either to paint a portrait or simply as a guest.Mme. Le Brun found society at the Russian capital extremely amusing, and was, if possible, received with even more enthusiasm than in the other countries in which she had sojourned. She went to balls, dinners, suppers, or theatricals every night, and when she could manage to spare the time from the numerous portraits she painted, she went to stay in the country houses and palaces near, where in addition to other festivities they had ftes on the Neva by night, in gorgeously fitted up boats with crimson and gold curtains, accompanied by musicians.
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In the convent they were safe and at peace, except for another illness of Mademoiselle dOrlans, which left her so weak that Mme. de Genlis was afraid to tell her of the execution of her father in the November of 1794. She persuaded her not to read the French papers, telling her they were full of blasphemies and indecencies not fit for her to see. She had already received news of the execution of her husband, M. de Sillery, by which she was prostrated for a time.If the cruel, unjust marriage laws of England, which until a few years ago were in force, had been universally and fully carried out, making the husband an almost irresponsible tyrant and the wife a helpless, hopeless slave, domestic life would have been hell upon earth. But as the great majority of men had no wish to ill-treat their wives, confiscate their money, deprive them of their children or commit any of the atrocities sanctioned by the laws of their country, families upon the whole went on in harmony and affection. It was only now and then, when a man did wish to avail himself of the arbitrary power placed in his hands, that the results of such iniquitous laws were brought before the public. At the same time, however, the knowledge of their existence and the tone of thought, prejudices, and customs which consequently prevailed, had an influence upon men who were not the least tyrannically inclined, but merely acted in accordance with the ideas and opinions of every one around them.The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.[229]
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