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TUTICORINIn one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.
  • THREE:In the middle of the town, which consists entirely of small houses carved from top to bottom, are two massive towers, joined by the remains of the thick wall that formerly enclosed the immensity of the sultan's palace and its outbuildings. The towers now serve as prisons; the stone lattice which screened the private rooms has been replaced by iron bars, the last traces of ornamentation covered up with fresh plaster. Behind the wall the ancient garden, kept green of old by legions of gardeners, is a mere desert of dust; a mausoleum in the middle, transformed into a court of justice, displays all the perfection of Indian art in two pointed windows carved and pierced in imitation of twining and interlaced branches; marvels of delicacy and grace left intact through centuries of vandalism. ONE:In the heart of Girgaum, one of the suburbs of Bombay, at the end of a street, under a large areca palm an old man was selling grain and rice in open baskets. A whole flight of bickering sparrows settled on his merchandise, and he looked at them with happy good humour without scaring them away. GET AWESOME FEATURE LIST
  • THREE:A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll. ONE: GET AWESOME FEATURE LIST
  • THREE: ONE: GET AWESOME FEATURE LIST
TWO:A Ja?n temple. A confusion of ornament, carved pillars, capitals far too heavy, with a medley of animals, gods and flowers, under a roof all graven and embossed. In the sanctuary, where the walls are riddled with carving, is an enormous Buddha of black marble decked out with emeralds, gold beads and rare pearls, hanging in necklaces down to his waist. A large diamond blazes in his forehead above crystal eyes, terrifically bright. Every evening all this jewellerythe gift of Hati Singh, a wealthy Ja?n merchant who built the templeis packed away into a strong-box, which we were shown in the cellar.The roof, upheld by a double row of stone blocks set on end, and somewhat atilt, weighs on the building, which is already giving way; and the next monsoon will destroy this marvel of the Ja?n to spare the trouble of military constructorsthe builders of barracks.
ONE:In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."

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THREE:

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THREE:For another minute the sublime ice-peak remained visible through the gauzy whiteness, and then a cloud rising from beyond the range descended on the heights and gradually enfolded the whole chain.

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THREE:[Pg 110]"No; Kali is a cruel, bloodthirsty goddess, while the Virgin"

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ONE:The actors were exclusively men and boys, those who took female parts wore rusty wigs over their own long, black hair; these were plaited on each side of the face, and waxed behind to fall over the shoulders. The costumes of velvet and satin, heavily embroidered with gold and silver, were hideous.

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THREE:At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.
FORE:A fortified wall encloses Lashkar, the residence of the Maharajah of Gwalior; the bridges, which form part of the enclosure crossing the river that flows through the estate, have thick bars filling up the arches.

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FORE:A fortified wall encloses Lashkar, the residence of the Maharajah of Gwalior; the bridges, which form part of the enclosure crossing the river that flows through the estate, have thick bars filling up the arches.

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THREE:A Mohammedan funeral now. The body was in a coffin, covered with red stuff, sparkling with gold thread. The bearers and mourners chanted an almost cheerful measure, as they marched very slowly to the[Pg 24] burial-ground by the seaside, where the dead rest under spreading banyans and flowering jasmine.The external decoration is broken by broad flat panels, incised in places so delicately that the patterns look like faded fresco, scarcely showing against the gold-coloured ground of yellow stone. In front of the Kailas stand two tall obelisks, carved from top to bottom with an extraordinary feeling for proportion which makes them seem taller still, and two gigantic elephants, guardians of the sanctuary,[Pg 42] heavy, massive images of stone, worm-eaten by time into tiny holes and a myriad wrinkles, producing a perfect appearance of the coarse skin of the living beast.
FORE:

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ONE:Stations for prayer stand all along the road; little open shrines, where footprints are worshipped, stamped on flags of white marble, a large footprint surrounded by a dozen of a child's foot.

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FORE:Far away a murmur is heard, a long-drawn chant, suddenly arousing the birds; they flap their wings, stretch themselves clumsily, and then fly towards one of the towers.The rock is girt with a belt of walls, and in the citadel, besides Mandir, with its outbuildings and tanks, there is a whole town of palaces and temples, which are being demolished little by little to make way for barracks.

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FORE:Further on, in the temple stables, open to the sky and surrounded by a colonnade of carved and painted pillars, some women, in silken sarees of dark hues, were waiting on the bulls and the tiny zebu cows, feeding them with the flower offerings strewn on the mosaic pavement of the courtyard.

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FORE:Under the central dome sleeps Mumtaj-Mahal, the well-beloved sultana, for whom Shah Jehan erected the most beautiful mausoleum in the world.

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ONE:All round the post-office there is invariably a crowd of natives scribbling in pencil on post-cards held in their left hands. Their correspondence is lengthy, minute, and interminable; in spite of their concentration and look of reflection I could never bring myself to take them seriously, or feel that they were fully responsible for their thoughts and actsmachines only, wound up by school teaching, some going out of order and relapsing into savages and brutes.

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TWO:A plain of dried mud, dull grey, with scarcely a tinge of yellow in places; all round the horizon softly undulating hills which looked transparent, here a tender blue, there delicately pink, in flower-like hues. One of them, rising above all the eastern chain, might be a fortress, its towers alone left standing amid the general wreck. To the west the highest summits were lost in the blue of the sky, identically the same, but that the peaks were faintly outlined with a delicate line of snow.
FORE:Outside the fortifications is a peaceful township of large gardens with row on row of tombstones and mausoleums; some of enormous size, palaces of the dead, and others smaller, but wrought like lacework of stone. For a league or more the necropolis lies on both sides of the road. Across the door of each mausoleum hangs a chain by the middle and the two ends.The storm raged on all day, bringing down clouds that swept the earth and yawned in cataracts, to the awful roar of the thunder that shook the foundation of rock. FORE: FORE:

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TWO:At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.[Pg 12]
At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss.By three in the morning we had started on our way. At the very first streak of day, in front of us, on the road, was a snow-leopard, a graceful supple beast, with a sort of overcoat above its grey fur spotted with black, of very long, white hairs. It stood motionless, watching some prey, and it was not till we were close that it sprang from the road with two bounds, and then disappeared behind a rock with an elastic, indolent swing.In the ward we had just passed through there were none but convalescents or favourable cases. At the further end of the room a boy, fearfully emaciated, so thin that his body, lying in the hollow of the mattress, was hardly visible under the covering, was asleep as we approached. He had come from one of the famine districts, and in escaping from one scourge had come to where the other had clutched him. The doctor touched him on the[Pg 34] shoulder, and he opened his great splendid eyes. The awakening brought him gladness, or perhaps it was the end of his dream, for he had the happy look of a contented child, shook his shaven head waggishly, and the single corkscrew lock at the top, and was asleep again instantly.In a central space was a hideous rajah, a benefactor, with his six wives, all gaudily coloured with jewels in coloured paper stuck on to the images, and all kneeling in attitudes of idiotic ecstasy, doubly absurd under the daubing of vermilion and indigo. These were greatly admired by my servant, a convinced connoisseur in Indian art. Further on we saw, on the ceiling of a polychrome corridor, monsters carved to fit the shape of squared beams ending in a griffin's or a bird's head.
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