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In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

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The chateau, built close to the river, was large, picturesque, and dilapidated, with immense court-yards and crumbling towers; on the opposite bank was the Abbaye de Sept-Fonts, where Flicit and her brother were often taken for a treat, crossing the Loire in a boat and dining in the guest-room of the abbey.Cest pour vous un fort vilain cas
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FORE:He signed to the gaoler, who conducted Mme. de Fontenay back to her cell; and then sat down to write to Robespierre.It was impossible to spare much time to be absent from Paris, but Mme. Le Brun often spent two or three days at the magnificent chateaux to which she was invited, either to paint a portrait or simply as a guest.

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FORE:We are not blind, said Tallien. We only strike the enemies of the Republic.Donnez-nous les chemises

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FORE:

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FORE:Sheridan took the matter up, the postillions were examined, but all they said was that a strange gentleman had taken them to a public-house and bribed them to take the road they had followed. The hired servant had disappeared. Not wishing to spend the time or money necessary to bring this mysterious affair into a law court, they did nothing more about it, and never understood why it had happened, or what was intended, or anything concerning it.

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FORE:

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FORE:[5]

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TWO:She wrote pages and pages to the Duchess, who would not answer the letters except by a few short lines, and refused to enter into the matter at all, but declined to receive Mme. de Genlis at the Palais Royal to dine as usual. Here is an example of what the Duchesse dAbrants and others have said about Mme. de Genlis having nothing of the dignity that she might have been expected to possess. Her behaviour contrasts strongly with that of the Duchesse dOrlans, who, however foolish and credulous she may have been, showed at any rate [422] that she was a Princess of France. It was not for her to discuss or dispute with Mme. de Genlis about her influence with her husband and children; it was for her to give orders and for the governess of her children to obey them. But these late proceedings were different and tangible, and Mme. de Genlis herself owns in her Mmoires, written long after, that the objections of the Duchess, which she then thought so exaggerated and unjust, were right and well-founded. She declares that she had no idea how far the Revolution would go, that she was strongly attached to the Monarchy and to religion, which latter was certainly true, and there is no reason to suppose she contemplated a Republic, while the horrors that took place were odious to her.

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TWO:However, she was so far identified with the Revolutionary party as not only to rejoice at the infamous attack of the mob upon the Bastille, but to consent to her pupils request to take them to [415] Paris to see the mob finishing the destruction of that beautiful and historic monument.Ah! cried he. I have just met the Emperor as I came to you. I had only time to rush under a portico and am dreadfully afraid he recognized me.

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TWO:Comment! on the contrary? What do you mean? Tell me.

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ONE:The Marquis de la Salle was more than eighty years old, and had been Lieutenant-General and Governor of Alsace; he was now looked upon with [240] the utmost deference by all the emigrs around. His whole family were with him, except one son, who was with the army of Cond; wife, children, single and married, and grandchildren. They received M. de Montagu with great kindness and affection and wanted also to keep Pauline; but as, though not beggared, they were poor and obliged to economise and work to gain sufficient money for so large a household, she would only stay there a fortnight; then, taking a sorrowful leave of her husband, she went on to her aunt, Mme. de Tess.

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ONE:Having lost patience, and seeing nothing but ruin before him, M. de Puisieux appealed to [369] the King, got a lettre de cachet, and shut up his hopeful ward at the Chateau de Saumur, where he remained for five years, while half of what he owed was being paid off. At the end of this time he was ordered to Genlis, where an allowance of fifteen thousand francs was made to him while the remainder of his debts were gradually paid, after which he was allowed to spend three months of the year at Paris, but M. de Puisieux refused to remove the interdict until he had made a good marriage. That the lettres de cachet had their abuses is incontestable, but they had their advantages too.With these and all the different relations of her husband, Mme. dAyen lived in the greatest harmony, [176] especially with his sister, the Duchesse de Lesparre, a calm, holy, angelic woman after her own heart.
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ONE:One day the Baron de Talleyrand announced that [106] the Queen wished her to paint the portraits of her two eldest daughters, whose marriages she was just going to Vienna to arrange. [39]
Lisette painted the two Princesses and the Prince Royal before returning to Rome, where she had no sooner arrived than she had to go back to Naples to paint the Queen.Her first great dinner-party was at the house of the sculptor Le Moine, where she met chiefly artists and literary people. It was the custom to sing at dessert, a terrible ordeal for young girls, whose alarm often spoilt their song, but who were obliged to sing all the same.
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