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THREE: ONE:Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the ground��a colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."

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FORE:The long table was filled with officials and their wives, as happy as children��pulling crackers at dessert, putting on paper caps, singing the latest music-hall nonsense; while outside, jackals whined, suddenly coming so close that they drowned the voices and the accompaniment on the piano.

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FORE:The matter was evidently very serious. The three constables consulted together in an undertone, and then went off after desiring that I would forthwith telegraph to Sealkote and bring the reply to the police office.

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THREE:Inside the temple was the fragrance of fresh flowers, brought as offerings, with grains of rice threaded like semi-transparent beads on the flexible pale green stem. A huge Buddha here, of many-coloured stones bedizened with gold, gleams in the[Pg 128] shade of the altar, and two bonzes in front of the idol were quarrelling at great length, with screams like angry cats and vehement gesticulations, for the possession of some small object which constantly passed from one to the other.

THREE:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.

THREE:Far away, at the end of the bazaar, in a street where no one passes, are the shoemakers' booths littered with leather parings; old cases or petroleum tins serve as seats. Among the workmen swarm children in rags, pelting each other with slippers.

THREE:"And is that all?"

THREE:In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.

THREE:The subterranean passage leading from the empress's rooms to the mosque, has in the roof a thick flagstone that admits a subdued glimmer as through amber or honey, lighting up all one end of the dark corridor.We sailed past the holy city in a heavy, massive junk, the prow formed of a snake with its head erect and jaws yawning, down the Ganges, all rippled with rose and blue. Palaces, and more palaces, with thick walls and towers, that look like bastions, stand in perspective as far as the eye can see. Windows and balconies are cut in the ponderous masonry at the level of the third floor, and high above these rajahs' dwellings rise the domes of the temples, pointing skywards among tall trees that spread their shade on the russet stonework. At the foot of the palaces, steps lead down to the river, divided by little stages covered with wicker umbrellas that shine in the sun like discs of gold; under these, Brahmins, after bathing, were telling their beads. Now and again they dipped their fingers in the sacred waters and moistened their eyes, forehead, and lips.

THREE:

THREE:Not far from Peshawur a legend had arisen concerning a certain Guru, that the holy man now underground grew taller every year by a foot, and the heap of stones grew longer day by day, till the English authorities had to interfere and place a guard of soldiers to check the encroachment of the tumulus on the high road.

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