THREE: If happiness consists in the appropriate exercise of our vital functions, then the highest happiness must result from the highest activity, whether we choose to call that reason or anything else which is the ruling and guiding principle within us, and through which we form our conceptions of what is noble and divine; and whether this be intrinsically divine, or only the divinest thing in us, its appropriate activity must be perfect happiness. Now this, which we call the theoretic activity, must be the mightiest; for reason is supreme in our souls and supreme over the objects which it cognises; and it is also the most continuous, for of all activities theorising is that which can be most uninterruptedly carried on. Again, we think that some pleasure ought to be mingled with happiness; if so, of all our proper activities philosophy is confessedly the most pleasurable, the enjoyments afforded by it being wonderfully pure and steady; for the existence of those who are in possession of knowledge is naturally more delightful than the existence of those who merely seek it. Of all virtues this is the most self-sufficing; for while in common with every other virtue it presupposes the indispensable conditions of life, wisdom does not, like justice and temperance and courage, need human objects for its exercise; theorising may go on in perfect solitude; for the co-operation of other men, though helpful, is not absolutely necessary to its activity. All other pursuits are exercised for some end lying outside themselves; war entirely for the sake of310 peace, and statesmanship in great part for the sake of honour and power; but theorising yields no extraneous profit great or small, and is loved for itself alone. If, then, the energising of pure reason rises above such noble careers as war and statesmanship by its independence, by its inherent delightfulness, and, so far as human frailty will permit, by its untiring vigour, this must constitute perfect human happiness; or rather such a life is more than human, and man can only partake of it through the divine principle within him; wherefore let us not listen to those who tell us that we should have no interests except what are human and mortal like ourselves; but so far as may be put on immortality, and bend all our efforts towards living up to that element of our nature which, though small in compass, is in power and preciousness supreme.192
FORE:
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.
FORE:
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.
THREE:Another noteworthy circumstance is that the last centuries of Paganism were on the whole marked by a steady literary decline. To a literary man, this meant that civilisation as a whole was retrograding, that it was an effete organism which could only be regenerated by the infusion of new life from without; while, conversely, the fresh literary productivity of mediaeval and modern Europe was credited to the complete renovation which Christianity and the Barbarians were supposed to have wrought. A closer study of Roman law has done much to correct this superficial impression. It has revealed the existence, in at least one most important domain, of a vast intellectual and moral advance continued down to the death of Marcus Aurelius. And the retrograde movement which set in with Commodus may be fairly attributed to the increased militarism necessitated by the encroachments of barbarism, and more directly to the infusion of barbarian elements into the territory of the empire, rather198 than to any spontaneous decay of Roman civilisation. The subsequent resuscitation of art and letters is another testimony to the permanent value and vitality of ancient culture. It was in those provinces which had remained least affected by the northern invasion, such as Venetia and Tuscany, that the free activity of the human intellect was first or most fruitfully resumed, and it was from the irradiation of still unconquered Byzantium that the light which re-awakened them was derived.
FORE:Leona Lalage laughed aloud. The touch of those cool fingers thrilled her. To go away now, to abandon it all just when----. Ah, the thing was impossible. She might just as well have cast herself off Waterloo Bridge.Characters, then, are not introduced that they may perform actions; but actions are represented for the sake of the characters who do them, or who suffer by them. It is not so much a ghostly apparition or a murder which interests us as the fact that the ghost appears to Hamlet, and that the murder303 is committed by Macbeth. And the same is true of the Greek drama, though not perhaps to the same extent. We may care for Oedipus chiefly on account of his adventures; but we care far more for what Prometheus or Clytemnestra, Antigone or Ajax, say about themselves than for what they suffer or what they do. Thus, and thus only, are we enabled to understand the tragic element in poetry, the production of pleasure by the spectacle of pain. It is not the satisfaction caused by seeing a skilful imitation of reality, for few have witnessed such awful events in real life as on the stage; nor is it pain, as such, which interests us, for the scenes of torture exhibited in some Spanish and Bolognese paintings do not gratify, they revolt and disgust an educated taste. The true tragic emotion is produced, not by the suffering itself, but by the reaction of the characters against it; for this gives, more than anything else, the idea of a force with which we can synergise, because it is purely mental; or by the helpless submission of the victims whom we wish to assist because they are lovable, and whom we love still more from our inability to assist them, through the transformation of arrested action into feeling, accompanied by the enjoyment proper to tender emotion. Hence the peculiar importance of the female parts in dramatic poetry. Aristotle tells us that it is bad art to represent women as nobler and braver than men, because they are not so in reality.185 Nevertheless, he should have noticed that on the tragic stage of Athens women first competed with men, then equalled, and finally far surpassed them in loftiness of character.186 But with his philosophy he could not see that, if heroines did not exist, it would be necessary to create them. For, if women are conceived as reacting against outward circumstances at all, their very helplessness will lead to the304 storing of a greater mental tension in the shape of excited thought and feeling debarred from any manifestation except in words; and it is exactly with this mental tension that the spectator can most easily synergise. The wrath of Orestes is not interesting, because it is entirely absorbed into the premeditation and execution of his vengeance. The passion of Electra is profoundly interesting, because it has no outlet but impotent denunciations of her oppressors, and abortive schemes for her deliverance from their yoke. Hence, also, Shakspeare produces some of his greatest effects by placing his male characters, to some extent, in the position of women, either through their natural weakness and indecision, as with Hamlet, and Brutus, and Macbeth, or through the paralysis of unproved suspicion, as with Othello; while the greatest of all his heroines, Lady Macbeth, is so because she has the intellect and will to frame resolutions of dauntless ambition, and eloquence to force them on her husband, without either the physical or the moral force to execute them herself. In all these cases it is the arrest of an electric current which produces the most intense heat, or the most brilliant illumination. Again, by their extreme sensitiveness, and by the natural desire felt to help them, women excite more pity, which, as we have said, means more love, than men; and this in the highest degree when their sufferings are undeserved. We see, then, how wide Aristotle went of the mark when he made it a rule that the sufferings of tragic characters should be partly brought on by their own fault, and that, speaking generally, they should not be distinguished for justice or virtue, nor yet for extreme wickedness.187 The immoderate moderation of the Stagirite was never more infelicitously exhibited. For, in order to produce truly tragic effects, excess of every kind not only may, but must, be employed. It is by the reaction of heroic fortitude, either against unmerited outrage, or against the whole pressure of social law, that our synergetic interest is wound up305 to the intensest pitch. It is when we see a beautiful soul requited with evil for good that our eyes are filled with the noblest tears. Yet so absolutely perverted have mens minds been by the Aristotelian dictum that Gervinus, the great Shakspearian critic, actually tries to prove that Duncan, to some extent, deserved his fate by imprudently trusting himself to the hospitality of Macbeth; that Desdemona was very imprudent in interceding for Cassio; and that it was treasonable for Cordelia to bring a French army into England! The Greek drama might have supplied Aristotle with several decisive contradictions of his canons. He should have seen that the Prometheus, the Antigone, and the Hippolytus are affecting in proportion to the pre-eminent virtue of their protagonists. The further fallacy of excluding very guilty characters is, of course, most decisively refuted by Shakspeare, whose Richard III., whose Iago, and whose Macbeth excite keen interest by their association of extraordinary villainy with extraordinary intellectual gifts.
cupiditate non provident
More Info15th May
FORE:If she isnt damaged, he told Dick, you and Jeff, or Jeff and I could fly to the swamp in her.
cupiditate non provident
More Info15th May
