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FORE:Her despair is but the inverted image of Plato��s hope, the return to a purer state of being where knowledge will no longer be obscured by passing through the perturbing medium of sight and touch. Again, modern apologists for the injustice and misery of the present system144 argue that its inequalities will be redressed in a future state. Plato conversely regarded the sufferings of good men as a retribution for former sin, or as the result of a forgotten choice. The authority of Pindar and of ancient tradition generally may have influenced his belief, but it had a deeper ground in the logic of a spiritualistic philosophy. The dualism of soul and body is only one form of his fundamental antithesis between the changeless essence and the transitory manifestations of existence. A pantheism like Spinoza��s was the natural outcome of such a system; but his practical genius or his ardent imagination kept Plato from carrying it so far. Nor in the interests of progress was the result to be regretted; for theology had to pass through one more phase before the term of its beneficent activity could be reached. Ethical conceptions gained a new241 significance in the blended light of mythology and metaphysics; those who made it their trade to pervert justice at its fountain-head might still tremble before the terrors of a supernatural tribunal; or if Plato could not regenerate the life of his own people he could foretell what was to be the common faith of Europe in another thousand years; and memory, if not hope, is the richer for those magnificent visions where he has projected the eternal conflict between good and evil into the silence and darkness by which our lives are shut in on every side.

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FORE:But the enthusiasm for science, however noble in itself, would not alone have sufficed to mould the Epicurean philosophy into a true work of art. The De Rerum Natura is the greatest of all didactic poems, because it is something more than didactic. Far more truly than any of its Latin successors, it may claim comparison with the epic and dramatic masterpieces of Greece and Christian Europe; and that too not by virtue of any detached passages, however splendid, but by virtue of its composition as a whole. The explanation of this extraordinary success is to be sought in the circumstance that the central interest whence Lucretius works out in all directions is vital rather than merely scientific. The true heroine of his epic is not Nature but universal life��human life in the first instance, then the life of all the lower animals, and even of plants as well. Not only does he bring before us every stage of man��s existence from its first to its last hour106 with a comprehensiveness, a fidelity, and a daring unparalleled in literature; but he exhibits with equal power of portrayal the towered elephants carrying confusion into the ranks of war, or girdling their own native India with a rampart of ivory tusks; the horse with an eagerness for the race that outruns even the impulse of his own swift limbs, or fiercely neighing with distended nostrils on the battlefield; the dog snuffing an imaginary scent, or barking at strange faces in his dreams; the cow sorrowing after her lost heifer; the placid and laborious ox; the flock of pasturing sheep seen far off, like a white spot on some green hill; the tremulous kids and sportive lambs; the new-fledged birds filling all the grove with their fresh songs; the dove with her neck-feathers shifting from ruby-red to sky-blue and emerald-green; the rookery clamouring for wind or rain; the sea birds screaming over the salt waves in search of prey; the snake sloughing its skin; the scaly fishes cleaving their way through the yielding stream; the bee winging its flight from flower to flower; the gnat whose light touch on our faces passes unperceived; the grass refreshed with dew; the trees bursting into sudden life from the young earth, or growing, flourishing, and covering themselves with fruit, dependent, like animals, on heat and moisture for their increase, and glad like them:��all these helping to illustrate with unequalled variety, movement, and picturesqueness the central idea which Lucretius carries always in his mind.Stated briefly, Zeller��s theory of ancient thought is that the Greeks originally lived in harmony with Nature; that the bond was broken by philosophy and particularly by the philosophy of Socrates; that the discord imperfectly overcome by Plato and Aristotle revealed itself once more in the unreconciled, self-concentrated subjectivity of the later schools; that this hopeless estrangement, after reaching its climax in the mysticism of the Neo-Platonists, led to the complete collapse of independent speculation; and that the creation of a new consciousness by the advent of Christianity and of the Germanic races was necessary in order to the successful resumption of scientific enquiry. Zeller was formerly a Hegelian, and it seems to me that he still retains far too much of the Hegelian formalism in his historical constructions. The well-worked antithesis between object and subject, even after being revised in a positivist sense, is totally inadequate to the burden laid on it by this theory; and if we want really to understand the causes which first hampered, then arrested, and finally paralysed Greek philosophy, we must seek for them in a more concrete order of considerations. Zeller, with perfect justice, attributes the failure of Plato and Aristotle to their defective observation of Nature and their habit of regarding the logical combinations of ideas derived from the common use of words as an adequate representative of the relations obtaining among things in themselves. But it seems an extremely strained and artificial explanation to say that their shortcomings in this respect were due to a confusion of the objective and the subjective, consequent on the imperfect separation of the Greek mind from Nature��a confusion, it isx added, which only the advent of a new religion and a new race could overcome.1 It is unfair to make Hellenism as a whole responsible for fallacies which might easily be paralleled in the works of modern metaphysicians; and the unfairness will become still more evident when we remember that, after enjoying the benefit of Christianity and Germanism for a thousand years, the modern world had still to take its first lessons in patience of observation, in accuracy of reasoning, and in sobriety of expression from such men as Thucydides and Hippocrates, Polybius, Archim��des and Hipparchus. Even had the Greeks as a nation been less keen to distinguish between illusion and reality than their successors up to the sixteenth century��a supposition notoriously the reverse of true��it would still have to be explained why Plato and Aristotle, with their prodigious intellects, went much further astray than their predecessors in the study of Nature. And this Zeller��s method does not explain at all.

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