TWO:From her first arrival they set themselves against the Dauphine, they exaggerated the faults and follies which were only those of a thoughtless, wilful child of fifteen, and by their unjustifiable spite gave colour to the infamous and false reports circulated by her enemies. They tried to sow dissension between her and the Comtesse de Provence, hoping by means of his wife to engage their second nephew in a party against her. The fault was chiefly that of Madame Adla?de, for Madame Victoire was far [201] more gentle and easygoing, and Madame Sophie so dreadfully shy and nervous that she was incapable of taking a leading part in anything.
THREE:
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FORE:The first step in his rapid rise he is said to have owed to having left about some compromising papers of his friend Chalotais on a bureau, where they were found, and the disclosure of their contents caused the ruin and imprisonment of Chalotais and others, about the year 1763. After this he continued to prosper financially, politically, and [65] socially, until another intrigue raised him to the height of power.M. de Montagu returns to ParisM. de BeauneRichmondDeath of NomiAix-la-ChapelleEscape of the Duc dAyen and Vicomte de NoaillesLa Fayette arrested in AustriaThe HagueCrossing the MeuseMargateRichmondHardships of povertyBrusselsLetter from Mme. de TessJoins her in SwitzerlandMurder of M. and Mme. de MouchyGoes to meet the Duc dAyenHe tells her of the murder of her grandmother, Mme. de Noailles, her mother, the Duchesse dAyen, and her eldest sister, the Vicomtesse de NoaillesMme. de la Fayette still in prison.
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FORE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
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FORE:
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FORE:At last, in spite of her being unlucky or fanciful, or both, she succeeded in finding a dwelling-place, and as directly she arrived, visits and commissions began to pour upon her, she soon had plenty of money and plenty of society.
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FORE:Mme. Le Brun describes her as affectionate, simple, and royally generous. Hearing that the French Ambassador to Venice, M. de Bombelle, was the only one who refused to sign the Constitution, thereby reducing himself and his family to poverty; she wrote to him that all sovereigns owed a debt of gratitude to faithful subjects, and gave him a pension of twelve thousand francs. Two of his sons became Austrian ministers at Turin and Berne, another was Grand-Master of the household of Marie Louise.Whether this dastardly trick was done out of mere spite and envy, or only in order to save the reputation of the guilty woman at the expense of the innocent one, Mme. Le Brun never knew, and of course had no more communication with the person in question.
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FORE:The First Consul had restored her fortune to her, and treated her with more deference than he showed to any other woman; she assumed royal prerogatives, never returning visits or rising to receive them, in fact she was considered and often called in society, the Duchess Dowager of Orlans.
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FORE:
FORE:In her altered state of mind Tallien was associated with all the horrors she longed to forget, and she began to wish to free herself from a marriage which in her eyes was only a contract entered into for mutual convenience, to be ended when no longer desirable.
FORE: