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In fact she had given her whole heart to her work. She thought and dreamed of nothing but painting, her career as an artist was her life, and her affection for her mother, her brother, and her friends sufficed for her domestic happiness; she wanted neither love intrigues nor even marriage to disturb the state of things she found so entirely satisfactory.

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A young lieutenant of the Garde-Nationale hurried up, harangued them, and with difficulty persuaded [419] the savage crowd to allow him to take them into his own house, around which a drunken, furious crowd kept guard while cries of A la lanterne! were every now and then heard. They would not believe anything they said; they threatened to hang any one who should go to Paris to make inquiries; they forced their way into the house and garden, but suddenly a friendly voice said in the ear of Mme. de Genlis: I was a gamekeeper at Sillery; dont be afraid. I will go to Paris. At last the crowd of ruffians dispersed, leaving a dozen to guard their prisoners; the mayor of the village gravely demanded that all her papers should be delivered to him, upon which Mme. de Genlis gave him four or five letters, and when she begged him to read them he replied that he could not read, but took them away.Why? It will be putting your head in the wolfs mouth. Colour Background Image Background
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ONE:

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ONE:One of Davids most rising pupils before the Revolution was young Isabey, son of a peasant of Franche Comt, who had made money and was rich.
ONE:I have painted real princesses and they have never tormented or kept me waiting.Mme. de Boisgeloup, however, received the children with the greatest kindness, her two boys were companions for the young Cabarrus, and as for Trzia, she loved and treated her like a daughter. They lived in the rue dAnjou, and when the following year her father arrived at Paris and bought a h?tel in the place des Victoires she still spent less of her time with him than with her.
  • THREE:The errors of her youth she abandoned and regretted, and her latter years had by no means the dark and gloomy character that she had pictured to herself, when she left the Palais Royal and fled from France and the Revolution, in whose opening acts she had rejoiced with Philippe-galit. THREE:The boy, however, drew on with unconcern, finished the body of the horse, drew the upper portion of the legs, and then with a few strokes of the pencil indicated water at the bottom of the sheet, and gave the impression of a horse bathing his legs and feet. [12]

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  • THREE:After a few days at Parma, Lisette went on to Modena, Bologna, and Florence, under the escort of the Vicomte de Lespignire, a friend of M. de Flavigny, whose carriage kept close behind her own. As M. de Lespignire was going all the way to Romea journey not very safe for a woman with only a governess and childthis was an excellent arrangement; and they journeyed on pleasantly enough through Italy; the calm, sunny days, the enchanting scenes through which they passed, the treasures of art continually lavished around them, the light-hearted courtesy of the lower classes, the careless enjoyment and security of their present surroundings, contrasting strangely with the insolence and discomfort, the [92] discontent and bitterness, the gloom and terror from which they had so recently escaped.Mme. de Genlis had friends amongst old and new, French and foreign. The Vernets, Mme. Le Brun, Mme. Grollier, Gros, Gerard, Isabey, Cherubini, Halvy, all the great singers and musicians were among her friends. She lived to see the first years of the brilliant, too short career of Malibran. Pasta, Grassini, Talma, Garat, and numbers of other artistic celebrities mingled with [481] her literary friends. The household of Isabey was like an idyl. He had met his wife in the Luxembourg gardens, a beautiful girl who went there to lead about her blind father. They married and were always happy though for a long time poor. But the fame of Isabey rose; he was professor of painting at the great school of Mme. Campan, where every one under the Empire sent their daughters. He painted Josphine and all the people of rank and fashion, and received them all at his parties in his own h?tel. Mme. Isabey lived to be eighty-eight, always pretty and charming. Her hair was white, she always dressed in white lace and muslin, and had everything white in her salon, even to an ivory spinning wheel. THREE:I cannot help it, answered he; the eyes of France are upon me. If I betrayed my commission for the sake of a beautiful woman like you, Robespierre would not have thunderbolts enough to strike me with.

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  • THREE:They all boarded at the La Fayette, but as they were very poor there was very little to eat. They would dine upon ?ufs la neige, and spend the evening without a fire, wrapped in fur cloaks to keep out the cold of the early spring. M. de Montagu always had declared he had only had one good dinner in Holland, and that was one night when he dined with General Van Ryssel. THREE:Tu seras peintre, mon enfant, ou jamais il nen sera. [9]

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  • THREE:The sort of people who frequented the salon of Mme. Tallien had no such ideas. They were a miscellaneous horde collected from the most opposite sources, many of whom were strangers to each other or disliked and feared each other, and who went there for different reasons. When Tallien became less powerful her salon became less and less full; when men ceased to be in love with her they left off going there.to which she had to answer: THREE: Marat

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ONE:The three young Orlans princes were, the Duc de Valois, afterwards Louis Philippe, the Duc de Montpensier, and the Comte de Beaujolais. The eldest was eight years old.I recognised you directly in spite of your dress, your beard, your dyed hair, and false scar. THREE:The Queen turned pale.
ONE:as she sang these words she laid her hand upon [61] her heart and, turning to the Queens box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte dArtois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the Kings carriage with a gun upon his shoulder.

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FORE:[140]But the condition of Pauline, brought up in all the luxury and magnificence of the h?tel de Noailles, and suddenly cast adrift in a country the language and habits of which were unknown to her, with very little money and no means of getting more when that was gone, was terrifying indeed. She did not know where anything should be bought, nor what it should cost; money seemed to her to melt in her hands. She consulted her husband, but he could not help her. If she tried to make her own dresses, she only spoilt the material, as one can well imagine. Their three servants, the German boy, a Dutch woman, and after a little while an English nurse, could not understand each other, but managed to quarrel perpetually and keep up the most dreadful chatter. Her child, this time a son, was born on March 30th, Easter Day. She had looked forward to celebrating that festival at [237] the new church then to be opened, at which many of the young people were to receive their first Communion. Pauline, like all the rest of the French community, had been intensely interested and occupied in the preparations. Flowers were begged from sympathising friends to decorate the altar, white veils and dresses were made for the young girls by their friends, all, even those whose faith had been tainted and whose lives had been irreligious, joining in this touching and solemn festival, which recalled to them their own land, the memories of their childhood, and the recollection of those they had lost.

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FORE:The poor Countess! I am representing her reading a romance with the arms of the King. She is the only person who holds to the King now.
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FORE:To the peasant girl declared to be the most virtuous and obedient to her parents. FORE: FORE:He did not, in fact, recognise her at all, but he wished to save her. Turning to the crowd, he saidThe Comit de salut public was composed of Barre, Carnot, Couthon, Billaud-Varennes, Collot-dHerbois, Robert Lindet, Prieur, Jean-Bon Saint-Andr, Saint-Just, and Maximilian Robespierre; as bloodthirsty a gang of miscreants as ever held an unfortunate country in their grip. FORE:The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his sons room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce the King and Monseigneur le Dauphin. [69]
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Madame Royale united all the virtues of her own sex with the energy of ours. She alone would have been able to reconquer our sceptre if, like her grandmother, Marie Thrse, she had had the command of an army....Every day after dinner, they had their coffee in the splendid pavilion of Louis XV. It was decorated and furnished with the greatest luxury and magnificence, the chimney-piece, doors, and locks were precious works of art.The Marquis de Choiseul had just married a very pretty American of sixteen years old, which did not prevent his entertaining a violent passion for Lisette, and trying to make love to her on all possible occasions, but greatly increased her indignation at his doing so.
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