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The sarcophagus rests in the depths of a vaulted crypt lighted only by narrow latticed loopholes, and it is shrouded in a mysterious glimmer, a mingling of golden sunbeams and the reflections from the marble walls inlaid with precious stones.
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THREE:A flight of regular steps, hewn in the rock, under the shade of banyans and bamboos, all tangled with flowering creepers, leads straight up to the temple. It is a vast hall, dug out of granite and supported by massive columns, with capitals of a half-flattened spheroidal shapecolumns which, seen near, seem far too slender to support the immense mass of the mountain that rises sheer above the cave under a curtain of hanging creepers. The temple opens[Pg 21] to the north, and a very subdued lightlike the light from a painted windowfiltering through the ficus branches, lends solemnity and enhanced beauty to this titanic architecture.
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TWO:On entering the park the cocked turbans of the bodyguard again reminded us of the hats of the French Guards.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.

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TWO:On the edge of a pool, where, like a huge, full-blown lotus flower, stands a kiosk of sculptured marble, dedicated to the Rajah's mother, we came upon the shoe market, the last survival of a time not so very long ago, when shoemakers, as working on the skins of dead beasts, dared not come within the precincts of a town.

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TWO:

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TWO:Round the railway station crowds the village of Chandernagore, the huts close together, with no land to spare, and at length we were in the city of houses, with broad terraces in front in a classic style, with colonnades and decorations in relief, and broad eaves overhanging for shade. And beautiful gardens, bougainvilleas, and almond trees, white-blossomed faintly touched with pink, hedge in streets with foreign-sounding names. The air was full of the fresh scent of water and greenery and of the blessed peace of silenceso rare in India.DOMEL

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FORE:A little way off, in the burning sandy plain, is a pagoda sacred to the pigeons. Lying as close as tiles, in the sun, they hide the roof under their snowy plumage. Round pots are hung all about the building, swaying in the wind, for the birds to nest in, a red decoration against the russet stone; each one contains an amorous and cooing pair.

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[Pg 102]The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.This Rawal Pindi is an English town of cottages surrounded by lawns and shrubberies; about two streets of bazaar, and red uniforms everywhere, Highland soldiers in kilts, white helmets, and the officers' and sergeants' wives airing their Sunday finery in their buggies. The ladies drive themselves, under the shelter of a sunshade on an all[Pg 239] too short stick, painfully held by a hapless native servant clinging to the back of the carriage in a dislocating monkey-like attitude.Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.
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