TWO:Jeff, glancing back, caught Sandys nod.
THREE:Thus with Plutarch, as with his master Plato, a future world is the grand court of appeal from the anomalies and inequalities of this world; and, following the example of the Gorgias and the Republic, he reserves to the last a terrible picture of the torments held in store for those who have not expiated their transgressions on earth, describing them as they are supposed to have been witnessed by a human soul temporarily separated from the body for the purpose of viewing and reporting on this final manifestation of divine justice. It would appear, however, from the narrative in question that future punishments are not eternal. After a more or less protracted period of expiation, the immortal soul is restored to the upper world, under whatever embodiment seems most appropriate to its former career. Among those whose turn has arrived for entering on a new existence at the moment when Plutarchs visitor makes his descent to hell, is the soul of Nero. The wicked Emperor has just been condemned to assume the form of a viper, when a great light shines forth, and from the midst of the light a voice is heard crying:268 Let him reappear under the guise of a song-bird haunting the neighbourhood of marshes and meres; for he has already paid the penalty of his guilt, and the gods owe him some kindness for having liberated Greece, the best and most beloved by them of all the nations that he ruled.
THREE:It is not assumed that shaded elevations should not be made, nor that ink shading should not be learned, but it is thought best to point out the greater importance of other kinds of drawing, too often neglected to gratify a taste for picture-making, which has but little to do with practical mechanics.
THREE:It has been the fashion in certain quarters to look down on these early thinkersto depreciate the value of their speculations because they were thinkers, because, as we have already noticed, they reached their most important conclusions by thinking, the means of truly scientific observation not being within their reach. Nevertheless, they performed services to humanity comparable for value with the legislation of Solon and Cleisthenes, or the victories of Marathon and Salamis; while their creative imagination was not inferior to that of the great lyric and dramatic poets, the great architects and sculptors, whose contemporaries they were. They first taught men to distinguish between the realities of nature and the illusions of sense; they discovered or divined the indestructibility of matter and its atomic constitution; they taught that space is infinite, a conception so far from being self-evident that it transcended the capacity of Aristotle to grasp; they held that the seemingly eternal universe was brought into its present form by the operation of mechanical forces which will also effect its dissolution; confronted by the seeming permanence and solidity of our planet, with the innumerable varieties of life to be found on its surface, they declared that all things had arisen by differentiation8 from a homogeneous attenuated vapour; while one of them went so far as to surmise that man is descended from an aquatic animal. But higher still than these fragmentary glimpses and anticipations of a theory which still awaits confirmation from experience, we must place their central doctrine, that the universe is a cosmos, an ordered whole governed by number and law, not a blind conflict of semi-conscious agents, or a theatre for the arbitrary interference of partial, jealous,6 and vindictive gods; that its changes are determined, if at all, by an immanent unchanging reason; and that those celestial luminaries which had drawn to themselves in every age the unquestioning worship of all mankind were, in truth, nothing more than fiery masses of inanimate matter. Thus, even if the early Greek thinkers were not scientific, they first made science possible by substituting for a theory of the universe which is its direct negation, one that methodised observation has increasingly tended to confirm. The garland of poetic praise woven by Lucretius for his adored master should have been dedicated to them, and to them alone. His noble enthusiasm was really inspired by their lessons, not by the wearisome trifling of a moralist who knew little and cared less about those studies in which the whole soul of his Roman disciple was absorbed.
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