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In a very quiet little alley, fragrant of sandal-wood, men may be seen in open stalls printing patterns with primitive wooden stamps, always the same, on very thin silk, which shrinks into a twisted cord reduced to nothing when it is stretched out to dry.

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Slider 1 ONE:In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.

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Slider 2 ONE:A station on the roadthe delightful days at Bunnoo left far behind.

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Slider 3 ONE:[Pg 19]

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TWO:Beyond the outermost wall, when we had at last left it behind us, at the foot of the pile of terra-cotta-coloured bricks, were vast tanks of stagnant water, said to be inexhaustible. Near them was a shrine to Siva, with two small idols hung with yellow flowers, where an old Hindoo was praying devoutly; and then through a park of giant trees, and shrubs bright with strange blossoms, over which the parrots flew screaming.

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THREE:At the end of the garden, in a little temple, is a statue of the holy man of the size of life, in his favourite attitude, sitting on his crossed legs. Round the image were the most absurd toysand a photograph of the German Emperor! As I was leaving, the fakir called me back, asked me to think of him sometimes, and gave me one of the splendid yellow roses that hung about him like a glory.At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architravesall part of the solid rockthere is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing.

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THREE:[Pg 168]At the back of the room the master of the house squatted on the floor, dressed in green richly embroidered with gold, and on his head was a vase-shaped cap or tiara of astrakhan. Near him, in an armchair, sat a perfectly naked fakir, his breast covered with jade necklaces. His face was of superhuman beauty, emaciated, with a look of suffering, his eyes glowing with rapt ecstasy. He seemed to be entranced, seeing nothing but a vision, and intoxicated by its splendour.

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THREE:At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.

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TWO:The two chairs are now placed side by side, and the priest goes on chanting his prayers to a slow measure, in a nasal voice that is soon lost again in the chatter of the bystanders. Rice is once more shed over the couple, and incense is burnt in a large bronze vessel, the perfume mingling with that of the jasmine wreaths on the walls.Then some gardens looking like hothouses, concealing bungalows, and a gleaming lake among the greeneryand this was Kandy.

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THREE:With day came the grip of fire, the overwhelming[Pg 302] mastery of the heat. The sunshine pierced through every crack in the shutters and blinds, intolerably vivid. In feverish exhaustion, helpless to withstand the glow and light, we could but lie under the waving punkah and await the blessed return of night.

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THREE:In the evening the priest would say prayers over the couplethe bride being probably about fiveand the bridegroom would stay with the little bride's parents. Next day she would spend with the boy's parents, and after that they would both go back to their lessons and probably never meet again, unless they were very near neighbours, till he, having attained the age of fifteen, they would be really married.

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TWO:Elephants, freshly painted, go past begging.Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near.

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TWO:Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.

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TWO:Presently all the company is assembled, robed in long white tunics. The bridegroom, likewise dressed in white, has a chain of flowers round his neck; orchids, lilies, and jasmine, falling to his waist. In one hand he holds a bouquet of white flowers, in the other a coco-nut. A shawl, neatly folded, hangs over one arm.In the heart of Girgaum, one of the suburbs of Bombay, at the end of a street, under a large areca palm an old man was selling grain and rice in open baskets. A whole flight of bickering sparrows settled on his merchandise, and he looked at them with happy good humour without scaring them away.

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TWO:Inland from Colombo it is pure enchantment to travel among the rich and tangled vegetation of every shade of green that grows by the margins of the pools, the rivers, and the rice-fields. At first, skirting the shallows, where men, standing to their waists in water, were fishing with large nets which[Pg 126] they managed but clumsily, the flat banks are overgrown with anthuriums, their broad leaves of dark velvet or of light gauze splashed with rose and white, mirrored in the channels that form a network to irrigate the rice-swamps. Then ferns, bamboos, and feathery reeds in every varying shade of gold; creepers clinging to the trunks of coco trees or ph?nix-palms bear bunches of pink or yellow blossoms between the palm-leaves, invading everything with their luxuriance, and forming a gaudy undergrowth below the tall treesa light but impenetrable thicket where the sun casts warm purple shadows.Down in the streets the houses looked ghostly blue in the moonlight, the cross roads, lighted with the warmer glow of a few lamps in red paper shades, alternating with the black darkness, in which it was just possible to discern cows and goats lying on the ground.

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In front of a Buddhist temple were some tanks in which enormous tortoises were swimming. On the building, above carvings of elephants in relief on the stone, were a number of mural paintings, artless and terrible scenes set forth with the utmost scorn of perspective and chiaroscuro: a place of torment where green monsters thrust the damned against trees of which the trunks are saws, and enormous red and yellow birds devour living victims.The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies.On the sloping bank to the river stood a large wooden mosque falling into ruins. In front of this building was a plot full of tombstones, some overthrown, some still standing on the declivity.MADRAS
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