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TWO:AHMEDABAD

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THREE:Servants carrying large trays offer the company certain strange little green parcels: a betel-leaf screwed into a cone and fastened with a clove, containing a mixture of spices and lime, to be chewed after dinner to digest the mass of food you may see spread out in the tables in the dining-room.

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ONE:When the express had arrived that morning from Bombay, eight bodies were found of victims to the plague who had died on the way. They were laid on the platform and covered with a white sheet; and in the station there was a perfect panic, a surge of terror which spread to the town, and broke up the market. The shops were all shut, and the people rushed to their knees before the idols in the temples.

FORE:Near this tomb is a stele with the dish on the top of it in which the Koh-i-noor was found. In the crypt of the mosque, at the end of a passage, is a vaulted room lined with stucco and devoid of ornament, and here is the burial place of Akbar, a mound covered with lime. The sarcophagus above, at the foot of which the Koh-i-noor once blazed, is but the replica of this.

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FORE:Three musicians in white, with red turbans, squatted down on the ground in front of us. One sang to the accompaniment of a viol with three strings and nine frets, and a darboukha; a drawling strain, all on the upper notes, and rising higher to a shrill monotonous wail, retarded, as it were, to a rhythm against the accompaniment; then by degrees more lively, faster and faster, ending with a sudden stop on a word of guttural consonants. But the man began again; he sang for a long time, varying the tunes, always returning to the first. But nothing of them remains in my mind, not even the rhythm, only a vague recollection, a singular echo, confused but [Pg 67]charming, in spite of the weirdness of the too high pitch.In the afternoon, while it was still broad daylight and very bright outside, it was already dusk under the arches of the temple, and bats were flitting about.

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FORE:At one corner of a bastion of the rampart rises the Jasmine tower, the empress's pavilion, built of amber-toned marble inlaid with gold and mother-of-pearl. A double wall of pierced lattice, as fine as a hand-screen, enclosed the octagon chamber; the doors, which were of massive silver jewelled with rubies, have been removed. The golden lilies inlaid in the panels have also disappeared, roughly torn out and leaving the glint of their presence in a warmer hue, still faintly metallic. Recesses in the wall, like porticoes, served for hanging dresses in, and low down, holes large enough to admit the hand, were hiding-places for jewels, between two slabs of marble. In front of the sultana's kiosk, basins in the form of shells, from which rose-water poured forth, go down like steps to a tank below.TRICHINOPOLY

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THREE:The Viharas, monasteries of cells hollowed out in the hillside, extend for more than half a mile; briars and creepers screen the entrances leading to these little retreats, a tangle of flowers and carvings.In the atmosphere floated a pale blue smoke, rising from a heap of weeds that some children were burning, a weird sort of incense, acrid and aromatic, fading against the too-blue sky.

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THREE:As we returned past a village��a hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinks��a perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.Out in the street a woman, bare-backed, was submitting to be brushed down the spine by a neighbour with a brush of cuscus; she scorned to answer me when I asked whether she felt better, but shutting her eyes desired the operator to go on more slowly.

THREE:

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