One cannot help seeing in the sentiments expressed and the manner of expressing them, the artificial, affected tone which with Mme. de Genlis had become her second nature, and which she had evidently inculcated into her daughter.
All this was a certainty supposing he had possessed the most moderate talents, and behaved with common decency. But at seventeen he was already notorious, even at the court of Louis XV., for his vicious life; an incorrigible gambler, and over head and ears in debt. His guardian reproached him, and his debts were paid, but the same thing kept happening until, when he was twenty years old, he lost in one night five hundred thousand francs, his debts besides amounting to another hundred thousand.What do you want with me? she asked coolly, I am not an enemy of the people; you can see by my cockade that I am a patriot.
ONE:Mme. Le Brun took the greatest pleasure in her intercourse with the Queen. Having heard that she had a good voice and was passionately fond of music, Marie Antoinette asked her to sing some of the duets of Grtry with her; and scarcely ever afterwards did a sitting take place without their playing and singing together.
ONE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
TWO:M. de Montbel had waited for nearly an hour, when suddenly a suspicion seized him. Springing [276] up suddenly he ran to the cottage, opened the door of one room, then another, then a third, and stood still with a cry of consternation.
THREE:The year after the marriage Louis XV. died, but Louis XVI. would not depart from the attitude his grandfather had assumed, with regard to the morganatic marriage of the Duc dOrlans.
THREE:Plauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Paulines great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagus grandmother, Laure de Fitzjames, grand-daughter of James II. of England.
