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ONE:"And a cheer from you, Frank," remarked the Doctor, "for somebody we saw at the railway station."��I feel sure it would be a pleasure to me to do you any favour that is in my power,�� said the other.

ONE:A more aristocratic vehicle of this kind is the norimon. The norimon is larger than the cango, and is completely closed in at the sides, so that it may be taken as a faint imitation of our covered carriages. The princes of Japan used to travel in norimons; and they are still employed in some parts of the empire, though becoming less and less common every year. The norimon has four bearers, instead of two, and, consequently, there is much more dignity attached to its use. The rate of progress is about the same as with the cango, and after several hours in one of them a foreigner feels very much as if he were a sardine and had been packed away in a can. It was always considered a high honor to be the bearer of a princely personage; and when the great man came out in state, with his army of retainers to keep the road properly cleared, the procession was an imposing one. The style and decorations of the norimon were made to correspond with the rank of the owner, and his coat-of-arms was painted on the outside, just as one may see the coats-of-arms on private carriages in London or Paris. When a prince or other great man expected a distinguished visitor, he used to send his private norimon out a short distance on the road to meet him.

ONE:I flushed with indignation, and my eye retorted to his that I had only followed his example. His answer was a smile. "You, also, have been guessing, eh?" he said, and when I glowed with gratitude he added,

ONE:She fingered the edge of the table, and with her instinct for tidiness, put straight a couple of papers that lay there."Gholson, you are out of your head."

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THREE:"'T'hat nightee teem he come chop-chop

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ONE:This absolute numbness came with him into his library, where he went when his wife and daughter, on the warning of the pink clock, proceeded upstairs, after the usual kisses. He did not want to wake his sensibilities up, simply because he did not want anything. Even here, in his secret garden, all he saw round him was meaningless: his library was a big pleasant room and he wondered why he had kept it so sacredly remote from his wife and Alice. There were some books in it, of course. Hugh had got a mercantile idea from one, Alice had been a little shy of an illustration in another, and for some reason he had felt that these attitudes were not tuned to the spirit he found here. But to-night there was no spirit of any kind here, and Alice might be shocked if she chose, Hugh might pick up hints for the printing of advertisements, his wife might put the Leonardo volume in her chair if she did not find it high enough, and if that did not give her the desirable position in which to doze most comfortably, there was the catalogue ready to make her a footstool. Books, books?... They were all strange and silly. In some there were pictures over which he had pored, in others there were verses that had haunted{320} his memory as with magic, and all had a certain perfection about them, whether in print or page or binding or picture, that had once satisfied and intoxicated a certain desire for beauty that he had once felt. There they were on their shelves, there was the catalogue that described them, and the shelves were full of corpses, and the catalogue was like a column of deaths in the daily paper, of some remote individuals that concerned him no more than the victims of a plague in Ethiopia.

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THREE:"I beg your pardon," said the Clockwork man, suddenly becoming conscious of the hirsute development. "Irregular growth��most inconvenient��it's due to my condition��I'm all to pieces, you know��things happen spontaneously." He appeared to be struggling hard to reverse some process within himself, but the beard continued to grow."I suppose so."

THREE:��Yes, dear, I said coat,�� rejoined her mother, who was not aware that she was a little deaf.

THREE:Keeling tapped the table impatiently with his fingers. This was business, and in his opinion rotten business.

THREE:XLVII HE'S DEAD.--IS SHE ALIVE?COURSE OF A TYPHOON. COURSE OF A TYPHOON.

ONE:"Oh, yes, of course. The body is a frail instrument. One forgets that. So good of you. But the spirit endures. Good night."

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ONE:

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THREE: