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Keeling stopped his drumming fingers, and looked up with his grim face relaxing.

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"There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of lifehow they cook their food, how they eat it, how they work, how they playin fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?"But what did you see?" enquired Gregg, kindly. "What was there to be seen?"
ONE:I shot forward, but had hardly more than sent back my good-bye when around a bend of the road, in a wagon larger than Charlotte Oliver's, with the curtains rolled up, came the four Miss Harpers, unsooted and radiant. The aunt drove. We turned, all four, and rode with them, and while the seven chatted gaily I read to myself the Major's note. It bade me take these four ladies into my most jealous care and conduct them to a point about thirty miles west of where we then were. A dandy's task in a soldier's hour! I ground my teeth, but as I lifted my glance I found Camille's eyes resting on me and read anxiety in them before she could put on a smile of unemotional friendliness that faded rapidly into abstraction. She was as pretty as the bough of wild azaleas in her hand, yet moving forward I told her aunt the order's purport and that it implied the greatest despatch compatible with mortal endurance. The whole four seemed only delighted.
THREE:"I ought not to have shown him that envelope addressed to you.""But you look real," objected Arthur.
THREE:She is very much obliged to you, sir, he said. She will be very much pleased to come.Why?
THREE:
TWO:The party remained three days at Canton. They rose early every morning, and went on excursions through and around the city, and it is fair to say that they did not have a single idle moment. Each of the boys made careful notes of what he saw and heard, and by the end of their stay both had enough to fill a small volume. They returned to Hong-kong on the fourth day, and on the morning after their return they sat down to write the story of their adventures. But before they began writing the projected letter a discussion arose between them, which was about like this:

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TWO:Johns eye, which had exactly as much expression in it as a dead codfishs, cowed him for a moment, but he quickly recovered.

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THREE:
THREE:
THREE:Arthur had a strong sense of originality, although he would have been the last person to claim originality in his thoughts. He disliked interference with any part of his personal being. As a boy he had been perturbed by the prospect of growing up. It had seemed to him such a hopeless sort of process, a mere longitudinal extension, without corresponding gain in other magnitudes. He suspected that[Pg 70] other dubious advantages were only to be purchased at the expense of a thinning out of the joys of childhood. Later on, he discovered, sadly enough, that this was the case; although it was possible deliberately to protract one's adolescence. Hence his untidiness, his inefficiency, and even his obtuseness, were less constitutional faults than weapons in the warfare against the encroachment of time.The characters in "The Boy Travellers" are fictitious; but the scenes that passed before their eyes, the people they met, and the incidents and accidents that befell them are real. The routes they travelled, the cities they visited, the excursions they made, the observations they recordedin fact, nearly all that goes to make up this volumewere the actual experiences of the author at a very recent date. In a few instances I have used information obtained from others, but only after careful investigation has convinced me of its entire correctness. I have aimed to give a faithful picture of Japan and China as they appear to-day, and to make such comparisons with the past that the reader can easily comprehend the changes that have occurred in the last twenty years. And I have also endeavored to convey the information in such a way that the story shall not be considered tedious. Miss Effie and "The Mystery" may seem superfluous to some readers, but I am of opinion that the majority of those who peruse the book will not consider them unnecessary to the narrative.
THREE:"This was the way society in Japan was made up till the revolution of 1868, when the whole fabric was swept away, and the principles of our Declaration of Independence were adopted. The Japanese have virtually declared that all men were created equal, by putting the classes on the same level and abolishing the distinctions of caste. The Eta and Hinin castes were made citizens, the Samurai (or gentry) were deprived of their hereditary[Pg 217] rights, and the feudal princes were compelled to turn their possessions into the hands of the general government. The change was very great for all, but for none more so than the Samurai.
THREE:A SAMURAI IN WINTER DRESS. A SAMURAI IN WINTER DRESS.
THREE:"We passed several men who had small establishments for gambling, not unlike some that are known in America. There was one with a revolving pointer on the top of a horizontal table that was divided into sections with different marks and numbers. The pointer had a string, hanging down from one end, and the way they made the machine work was to whirl the pointer, and see where the string hung when it stopped. The game appeared to be very fair, as the man who paid his money had the chance of whirling the pointer, and he might do his own guessing as to where it would stop. If he was right, he would win eight times as much money as he had wagered, since the board was divided into eight spaces. If he was wrong, he lost all that he put down, and was obliged to go away or try his luck again. The temptation to natives seems to be very great, since they are constantly gambling, and sometimes lose all the money they have. Gambling is so great a vice in China that a good many of its forms have been forbidden by the government.[Pg 380] The case is not unusual of a man losing everything he possesses, even to his wife and children, and then being thrown naked into the streets by the proprietor of the place where he has lost his money."Of course, quite accidental," said the Doctor, with a merry twinkle in his eyes.

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ONE:And theres the opening of the hospital wing to-morrow, she said. I suppose you wont be at the office in the morning at all?Under the old laws of Japan it was the custom for the Daimios to have a very complete right of way whenever their trains were out upon the Tokaido or any other road. If any native should ride or walk into a Daimio's procession, or even attempt anything of the kind, he would be put to death immediately by the attendants of the prince. This was the invariable rule, and had been in force for hundreds of years. When the foreigners first came to Yokohama, the Daimios' processions were frequently on the road; and, as the strangers had the right to go into the[Pg 159] country, and consequently to ride on the Tokaido, there was a constant fear that some of them would ignorantly or wilfully violate the ancient usages and thus lead the Daimios' followers to use their swords.

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