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ONE:Then a quiet little street. Our guide paused in front of a whitewashed house. An old woman came out, and with many salaams and speeches of welcome led us into a large, low room.

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ONE:

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ONE:PESHAWUR

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ONE:

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THREE:The colouring in all these rock-temples is a softened harmony of yellow stone, hardly darkened in some places, forming a setting for the gaudier tones of the idols, all sparkling with gold and showy frippery.At one corner of a bastion of the rampart rises the Jasmine tower, the empress's pavilion, built of amber-toned marble inlaid with gold and mother-of-pearl. A double wall of pierced lattice, as fine as a hand-screen, enclosed the octagon chamber; the doors, which were of massive silver jewelled with rubies, have been removed. The golden lilies inlaid in the panels have also disappeared, roughly torn out and leaving the glint of their presence in a warmer hue, still faintly metallic. Recesses in the wall, like porticoes, served for hanging dresses in, and low down, holes large enough to admit the hand, were hiding-places for jewels, between two slabs of marble. In front of the sultana's kiosk, basins in the form of shells, from which rose-water poured forth, go down like steps to a tank below.

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THREE:KOHAT

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THREE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.

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THREE:The streets were hung with gaudy flags and[Pg 135] coloured paper. Altars had been erected, four poles supporting an awning with flounces of bright-coloured silk, and under them a quantity of idols, of vases filled with amaryllis and roses, and even dainty little Dresden figures��exquisite curtseying Marquises, quite out of their element among writhing Vishnus and Kalis.

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ONE:In the island of Srirangam we visited a temple to Vishnu, enclosed within eight walls, of which the three first only contain any dwellings. A crowd of pilgrims swarmed about the steps, where everything was on sale: little gods in bronze, in painted marble, in clay, and in wood; paper for[Pg 111] writing prayers on; sacred books; red and white face-paints, such as the worshippers of Vishnu use to mark their foreheads with a V; little baskets to hold the colours, with three or four divisions, and a mirror at the bottom; coco-nuts containing kohl; stuffs of every dye; religious pictures, artless indeed, and painted with laborious dabs of the brush in the presence of the customer; chromo-lithographs from Europe, sickeningly insipid and mawkishly pretty.

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THREE:At every street-corner there were blocks of salt,[Pg 298] which the cows and goats licked as they went past.An inner fortress, another portal held by armed men, and a walled enclosure, is Golconda, the former capital of the sovereigns of the Deccan. The entrance is through a magnificent archway of gigantic proportions; to close it there are two gates of heavy wood studded all over with long iron spikes, against which, during a siege, elephants charged to their death.

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ONE:In the street were bayad��res, and women at every window, the pretty faces brightly illuminated, the plainer in a skilfully subdued light. The sound of tom-toms and pipes could be heard, and the guttural, quavering song of a dancing beauty performing for some amateur; quite young boys were wandering about the street, almost children, all in white. Where the roads met, a mosque was illuminated in honour of this month of Ramadan, and the believers were trooping out in a crowd.

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ONE:Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain.[Pg 102]

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THREE:There are temples all along the shore, poor little structures for the most part. On the walls gaudy borders of crude colour serve to frame chromo-lithographs representing the principal events of the Vedas. There are but one or two sanctuaries built of marble, and very rarely have the idols any precious jewels.Two old women had a quarrel, and all the neighbourhood came out to look on.