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THREE:T��r��zia was much better off at the Carmes, for she was no longer au secret, but mixed in the day with the rest of the prisoners and shared a cell at night with the Duchesse d��Aiguillon and Jos��phine Vicomtesse de Beauharnais, whose husband, a revolutionary general and a thoroughly contemptible character, had lately been guillotined by his republican friends. FORE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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