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Fields of betel pepper, broad-leaved and fleshy, carefully enclosed with matting, were watched over by two or even three men, armed with heavy cudgels.

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And for an hour as we drove along towards Amber, the old town deserted in favour of modern Jeypoor, the same succession of temples wheeled past. The crenated walls enclose three hills, one of them crowned by a fortress, to defend erewhile the white palace mirrored in the waters of an artificial lake.In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."
/ FORE:But for once he was mistaken.

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/ FORE:At the door of the house the sick man's wife was washing a white robe, in which he would be dressed for the grave on the morrow. The nearest relation of the dying must always wash his garment, and the woman, knowing that her husband had the plague and was doomed, as she was required by ritual to prepare for the burial while her husband was yet living, wore a look of mute and tearless resignation that terrified me.

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/ FORE:These gentlemen of the Civil Service would put in an appearance "now and then"the eternal "now and then" that answers every question in India. They stepped out of a buggy, walked quickly round, had seen, and were gone again in a great hurry to finish some important work for the next European mail.BARODA

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/ FORE:Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.

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THREE:On the very summit of the hill, all over the ravine which divided it from another, and which has been filled up at an enormous cost, and then on the top of that other hill beyond, temples are piled up, shining against the too-blue sky, with pointed roofs of stone, scorched by the sun or stained by the rain, and patterned with pale-hued lichens. Above each a spear stands up, impaling a metal ball. In infinite variety, differing in materials, style, and proportions, some quite small, as if they had sprouted round the base of others that are gigantic, there are here five thousand temples built by the faithful, who are incessantly erecting more, devoting great fortunes to the vanity of leaving a chapel that bears their name.
/

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THREE:A very large temple, with its walls pierced in Persian patterns, contains fifty-two chapels behind pointed arches. In each chapel are four gods, all alike, of white plaster, all decked with the same jewels. In an angle of the vaulting a female figure, carved in the stone and wearing a tiara, holds an infant in her arms; this statue, with its long face and the rigid folds of the drapery, might have been transferred here from a gothic building.
/ FORE:They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.The manager also traded in clocks, and a selection was displayed for sale at one end of the stalls.

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/ FORE:At a goldsmith's I stood to watch a native making a silver box. He had no pattern, no design drawn on the surface, but he chased it with incredible confidence, and all his tools were shapeless iron pegs that looked like nails: first a circle round the box, and then letters and flowers outlined with a firm touch that bit into the metal. He had no bench, no shopnothing. He sat at work on the threshold of his stall, would pause to chat or to look at something, and then, still talking, went on with his business, finishing it quite simply at once without any retouching.

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/ FORE:On the bank of the river, where there are no more steps, only beaten earth, in a little raised pit a pile of wood was slowly dying out. A man with[Pg 166] a cane raked back the sticks as they fell and rolled away. A squatting crowd were waiting till their relation was altogether consumed to cast his ashes on the sacred waters.

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`
THREE:The old woman's bones and ashes were cast into the Ganges, her husband still vacantly looking on, as all that was left of his life's companion floated for a few moments, and then was swallowed up in an eddy.Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful.
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THREE:A port crowded with steamers taking in coal, and very light barks high out of the water, kept in equilibrium by parallel outriggers at the ends of two flexible spars. These crank boats, made of[Pg 124] planks that scarcely overlap, were piled with luggage, and the boatmen jostle and turn and skim close under the fast-steaming transatlantic liners, amid a bewildering babel of shouts and oaths, under a sun hot enough to melt lead.
/ FORE:But at Byculla, in Grant Road, the street of gambling-houses, there was a glare of lights; gaudy lanterns were displayed at the windows where spangles and tinsel trinkets glittered. And then, between two brightly illuminated houses where every window was wide open, there was the dark gap of a closed house, in front of it a pan of sulphur burning. The green and purple flame flickered grimly on the faces of the passers-by, making their dhotis look like shrouds wrapping spectres.All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.

March 23rd, 2015 5 Comments

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/ FORE:Then, another day, the air was leaden, too heavy to breathe. The mountains of the gem-like hues had lost their glory; they were of one flat tone of dusky grey, and further away were lost to view, invisible in the dead monotony of the colourless sky. The silence was oppressive; there was not a bird in the air, and a strange uneasiness scared the beasts, all seeking a shady refuge.

March 23rd, 2014 5 Comments

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March 25rd, 2014 5 Comments

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THREE:Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful.There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.
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THREE:
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THREE:Towards evening Ellora came in sight, the sacred hill crowned with temples, in a blaze of glory at first from the crimson sunset, and then vaguely blue, wiped out, vanishing in the opalescent mist.
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Suddenly there was a panic among the horses; they shied, reared, and bolted across the fields, and the road being cleared, the elephants belonging to the Ameer of Cabul went by, to march at the head of the caravan. Next came a thousand camels, also the Ameer's; like the elephants, they carried no baggage, but on the back of one female was a young one, tied into a basket, born only the day before, all white and woolly.AGRAWe left Rawal Pindi in a tonga. The night was black, the carriage had no lamps; but now and again, at the sound of the driver's horn, dark massesbaggage camels, scarcely distinguishable in the gloommade way for us to go past at a gallop.
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