
THREE:Many of them occupied the old h?tels of the ruined families of the ancien rgime, in which their rough voices, strange language, manners and appearance contrasted as much with those of the former owners, as the new furniture, all gilding, costly stuffs and objects mixed incongruously together, did with the harmonious tapestries, ancient heirlooms, and family portraits which they replaced.But all kinds of stories were in circulation about her, which, of course, she indignantly denied. One of them concerned the marriage she now made for her second daughter with M. de Valence, a man of [406] high rank, large fortune, and remarkably bad character, who, moreover, had been for years, and continued to be, the lover of her aunt, Mme. de Montesson. It was positively declared that the Duke of Orlans, going unexpectedly into the room, found Valence on his knees before Mme. de Montesson, who with instant presence of mind, exclaimed
FORE:To her joy she met her old friend Doyen, the painter. He had emigrated two years after her, and arrived at St. Petersburg with no money. The Empress came to his assistance and offered him the directorship of the Academy of Arts. He settled in the Russian capital, where he got plenty of employment, painting both pictures and ceilings for the Empress, who liked him, and for the Russian nobles. The Empress gave him a place near her own box at the theatre, and used often to talk to him.Aimez vous toujours les hommes?
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