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MRS. FLACKIn spite of her practice in the conduct of social functions as Lady Mayoress, and her natural aptitude for knowing how to behave suitably, Mrs Keeling had one moment of extremest terror when the Royal Princess came up the steps of the hospital next day, between Keeling and Lord Inverbroom, to where the Lady Mayoress awaited her. Her knees so trembled that though she felt that there would not be the smallest difficulty in sinking down in the curtsey, or indeed in sinking into the earth altogether, she much doubted her power of ever raising herself again, and the gypsophila in the bouquet she was about to present shook so violently that it appeared to be but a gray mist among the daffodils which had been ascertained to be the Princesss favourite flower. She would have liked to run away, but there was nowhere to run to, and indeed the gorgeous heaviness of her satin gown rendered all active locomotion impossible. Then Her Royal Highness shook her hand, thanked her for the beautiful flowers and inhaled the perfume of the scentless daffodils before giving them to her lady-in-waiting to carry, and Mrs Keeling found herself able to say, Your favourite flowers, Your Royal Highness, which broke the spell of her terror. Then followed the declaration that the new wing was open and the tour was made through the empty wards, while Mrs Keeling so swelled with pride and anticipation that she felt that it was she who had been the yet{247} anonymous benefactor. Sometimes she talked to the Princess, sometimes only to Lord Inverbroom, or was even so mindful of her proper place as to drop a condescending word or two to the bishop, whose only locus standi there, so she considered, was that he would presently be permitted to say grace. Lining the big hall and in corridors were the common people of Bracebridge, Mrs Fyson and that class of person, and naturally Mrs Keeling swept by them, as she had swept by the footmen on that pleasant domestic evening at Lady Inverbrooms.
TWO:"The house had a floor and galleries like one of our theatres, but there were only two galleries, and one of them was on a level with the parquet. The parquet, or floor, was divided into boxes, and they were literally boxes, and no mistake. They were square, and the partitions between them were little more than a foot high, with a flat board on the top for a rail. This was about five inches wide, and I soon saw what it was used for, as the people walked on it in going to and from their boxes. The boxes had no chairs in them, but they were carpeted with clean matting; and anybody could get cushions from the ushers by asking for them. Each box was intended to hold four persons; but it required that the four should not be very large, and that each should stick to his own corner. One box in front of us had six women in it, and there were two or three boxes crowded with children. They had tea and sweetmeats in many of[Pg 233] the boxes, and I noticed that men and boys were going around selling these things. I asked if we had come to the right place, as it occurred to me that it was only at the Bowery and that kind of theatre in New York that they sold peanuts and such things; but the Doctor said it was all right, and they did this in all the best theatres in Japan.
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THREE:"But if she should be at Wiggins--"

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THREE:Mary said that when she was a child, ten cherries were exchanged among her schoolmates for one apple, two apples for one pear, and two pears for one orange. One day she took some oranges to school intending to exchange them for cherries, of which she was very fond; she left them in Katie Smith's desk, but Katie was hungry and ate one of the oranges at recess.

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THREE:Though it looks very odd, she said, beginning to give utterance to her reflections in the middle of a sentence, that your father and Hugh should go to Cathedral, while you and I go to St Thomass. But the Cathedral is very draughty, thats what I always say, and with my autumn cold due, if not overdue, it would be flying in the face of Providence to encourage it by sitting in draughts. As for incense and confession and

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THREE:I do subscribe to it, you know, he said.
THREE:"What time in the evening must we go," said Fred, "so as to be there in season for the beginning of the performance?"He had made an excursion into fairy landthat was how he framed the matter to himself. There had been The Cedars and work for him before, there would be work and The Cedars for him afterwards. Those who have drunk of the metheglin never perhaps afterwards are wholly free from the reminiscence of the sweet draught brewed magically from the heather and the honey, but they go back after their sojourn among the little people, and behave like ordinary mortals again, and eat the home-brewed bread, and move about their appointed ways. But the nights and days they have spent in the secret places of the earth will, till they die, be more vivid to them than all the actual experiences that they go through afterwards and went through before they penetrated the enchanted glen; the remembrance will colour their idle moments with the ensanguined hue of dream; that baseless fabric, that vision of hidden doors thrown open and the things that lurk within, is more rich, just because to them it is more real than the sober tonelessness of their profession or{328} pursuit. Therefore if they are wise, the best thing they can do is, like Prospero, to drown the magic book beneath the waters of absorbing employment. Often it will float up again to the surface, and each time it must be prodded back with averted eyes. So, for Keeling, a love that could not be realised once crowned the hill-tops of his nature; now that citadel and the very hill-tops themselves had been shaken down and strewn over the plains. He had now one paramount needthat of forgetting, and, since he could not forget, the need resolved itself into the effort to remember as little as possible, to use up in other ways the energy which was his, and the leisure that he could command if he chose.
THREE:I went to Gholson. He told me I was relieved of my captive and bade me go care for my horse and return in half an hour. In going I passed close by the Sessions plantation house. Every door and window was thrown wide to the night air, and preparations were in progress for a dance; and as I returned, a slave boy ran across my path, toward the house, bearing a flaming pine torch and followed by two ambulances filled with daughters of the neighborhood in clouds of white gauze. I found the General in fatigue dress. His new finery hung on the tent-pole at his back. Old Dismukes, the bull-necked colonel of the Arkansans, lounged on a camp-cot. Both smoked cigars.
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THREE:Miss Harper "knocked me down," as we boys used to say, to Charlotte Oliver; "Charlotte, my dear, you already know Mr. Smith, I believe?""She would be incredible," I said for him, and he accepted the clause by a gesture, and after a meditative pause went on with her history. The subject of our conversation had first met Oliver, it seemed, when by reason of some daring performance in the military field--near Milliken's Bend, in the previous autumn--he was the hero of the moment. Even so it was strange enough that he should capture her; one would as soon look to see Vicksburg fall; but the world was upside down, everything was happening as if in a tornado, and he cast his net of lies; lies of his own, and lies of two or three match-making friends who chose to believe, at no cost to themselves, that war, with one puff of its breath, had cleansed him of his vices and that marriage would complete the happy change. This was in Natchez, Ferry went on to say. Most fortunately for the bride one of the bridegroom's wedding gifts was a certain young slave girl; before the wedding was an hour past--before the orange-blossoms were out of the bride's hair--this slave maid had told her what he was, "And you know what that is."
THREE: "There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of lifehow they cook their food, how they eat it, how they work, how they playin fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?
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