TWO:59It is a familiar fact, first brought to light by Lessing, and generalised by him into a law of all good literary composition, that Homer always throws his descriptions into a narrative form. We are not told what a hero wore, but how he put on his armour; when attention is drawn to a particular object we are made acquainted with its origin and past history; even the reliefs on a shield are invested with life and movement. Homer was not impelled to adopt this method either by conscious reflection or by a profound poetic instinct. At a certain stage of intellectual development, every Greek would find it far easier to arrange the data of experience in successive than in contemporaneous order; the one is fixed, the other admits of indefinite variation. Pictorial and plastic art also begin with serial presentations, and only arrive at the construction of large centralised groups much later on. We have next to observe that, while Greek reflection at first followed the order of time, it turned by preference not to present or future, but to past time. Nothing in Hellenic literature reminds us of Hebrew prophecy. To a Greek all distinct prevision was merged in the gloom of coming death or the glory of anticipated fame. Of course, at every great crisis of the national fortunes much curiosity prevailed among the vulgar as to what course events would take; but it was sedulously discouraged by the noblest minds. Herodotus and46 Sophocles look on even divine predictions as purposely ambiguous and misleading. Pindar often dwells on the hopeless uncertainty of life.35 Thucydides treats all vaticination as utterly delusive. So, when a belief in the soul��s separate existence first obtained acceptance among the Greeks, it interested them far less as a pledge of never-ending life and progress hereafter, than as involving a possible revelation of past history, of the wondrous adventures which each individual had passed through before assuming his present form. Hence the peculiar force of Pindar��s congratulation to the partaker in the Eleusinian mysteries; after death he knows not only ��the end of life,�� but also ��its god-given beginning.��36 Even the present was not intelligible until it had been projected back into the past, or interpreted by the light of some ancient tale. Sappho, in her famous ode to Aphrodit��, recalls the incidents of a former passion precisely similar to the unrequited love which now agitates her heart, and describes at length how the goddess then came to her relief as she is now implored to come again. Modern critics have spoken of this curious literary artifice as a sign of delicacy and reserve. We may be sure that Sappho was an utter stranger to such feelings; she ran her thoughts into a predetermined mould just as a bee builds its wax into hexagonal cells. Curtius, the German historian, has surmised with much plausibility that the entire legend of Troy owes its origin to this habit of throwing back contemporary events into a distant past. According to his view, the characters and scenes recorded by Homer, although unhistorical as they now stand, had really a place in the Achaean colonisation of Asia Minor.37 But, apart from any disguised allusions, old stories had an inexhaustible charm for the Greek imagination. Even during the stirring events of the Peloponnesian war, elderly Athenian47 citizens in their hours of relaxation talked of nothing but mythology.38 When a knowledge of reading became universally diffused, and books could be had at a moderate price, ancient legends seem to have been the favourite literature of the lower classes, just as among ourselves in Caxton��s time. Still more must the same taste have prevailed a century earlier. A student who opens Pindar��s epinician odes for the first time is surprised to find so little about the victorious combatants and the struggles in which they took part, so much about mythical adventures seemingly unconnected with the ostensible subject of the poem. Furthermore, we find that genealogies were the framework by which these distant recollections were held together. Most noble families traced their descent back to a god or to a god-like hero. The entire interval separating the historical period from the heroic age was filled up with more or less fictitious pedigrees. A man��s ancestry was much the most important part of his biography. It is likely that Herodotus had just as enthusiastic an admiration as we can have for Leonidas. Yet one fancies that a historian of later date would have shown his appreciation of the Spartan king in a rather different fashion. We should have been told something about the hero��s personal appearance, and perhaps some characteristic incidents from his earlier career would have been related. Not so with Herodotus. He pauses in the story of Thermopylae to give us the genealogy of Leonidas up to Heracl��s; no more and no less. That was the highest compliment he could pay, and it is repeated for Pausanias, the victor of Plataea.39 The genealogical method was capable of wide extension, and could be applied to other than human or animal relationships. Hesiod��s Theogony is a genealogy of heaven and earth, and all that in them is. According to Aeschylus, gain is bred from gain, slaughter from slaughter, woe from woe. Insolence bears a child like unto herself, and this in turn gives birth to48 a still more fatal progeny.40 The same poet terminates his enumeration of the flaming signals that sped the message of victory from Troy to Argos, by describing the last beacon as ��not ungrandsired by the Idaean fire.��41 Now, when the Greek genius had begun to move in any direction, it rushed forward without pausing until arrested by an impassable limit, and then turned back to retraverse at leisure the whole interval separating that limit from its point of departure. Thus, the ascending lines of ancestry were followed up until they led to a common father of all; every series of outrages was traced through successive reprisals back to an initial crime; and more generally every event was affiliated to a preceding event, until the whole chain had been attached to an ultimate self-existing cause. Hence the records of origination, invention, spontaneity were long sought after with an eagerness which threw almost every other interest into the shade. ��Glory be to the inventor,�� sings Pindar, in his address to victorious Corinth; ��whence came the graces of the dithyrambic hymn, who first set the double eagle on the temples of the gods?��42 The Prometheus of Aeschylus tells how civilisation began, and the trilogy to which it belongs was probably intended to show how the supremacy of Zeus was first established and secured. A great part of the Agamemnon deals with events long anterior to the opening of the drama, but connected as ultimate causes with the terrible catastrophe which it represents. In the Eumenides we see how the family, as it now exists, was first constituted by the substitution of paternal for maternal headship, and also how the worship of the Avenging Goddesses was first introduced into Athens, as well as how the Areopagite tribunal was founded. It is very probable that Sophocles��s earliest work, the Triptolemus, represented the origin of agriculture under a dramatic form; and if the same poet��s later pieces, as well as all those of Euripides,49 stand on quite different ground, occupied as they are with subjects of contemporaneous, or rather of eternal interest, we must regard this as a proof that the whole current of Greek thought had taken a new direction, corresponding to that simultaneously impressed on philosophy by Socrates and the Sophists. We may note further that the Aeginetan sculptures, executed soon after Salamis, though evidently intended to commemorate that victory, represent a conflict waged long before by the tutelary heroes of Aegina against an Asiatic foe. We may also see in our own British Museum how the birth of Ath��n�� was recorded in a marble group on one pediment of the Parthenon, and the foundation of her chosen city on the other. The very temple which these majestic sculptures once adorned was a petrified memorial of antiquity, and, by the mere form of its architecture, must have carried back men��s thoughts to the earliest Hellenic habitation, the simple structure in which a gabled roof was supported by cross-beams on a row of upright wooden posts.

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TWO:Not that Xenophon is to be taken as a perfectly accurate exponent of the Socratic philosophy. His work, it must be remembered, was primarily intended to vindicate Socrates from a charge of impiety and immoral teaching, not to expound a system which he was perhaps incompetent to appreciate or understand. We are bound to accept everything that he relates; we are bound to include nothing that he does not relate; but we may fairly readjust the proportions of his sketch. It is here that a judicious use of Plato will furnish us with the most valuable assistance. He grasped Socratism in all its parts and developed it in all directions, so that by following back the lines of his system to their origin we shall be put on the proper track and shall know where to look for the suggestions which were destined to be so magnificently worked out.86��No human hand touched the switch that ran that door down!��

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ONE:CHAPTER XXII. PATTERN-MAKING AND CASTING.We first drove through the suburb Montigny-sur-Sambre, which shared the fate of Jumet, and was entirely destroyed by fire. After leaving the town we went in the direction of Chatelet, where we found an immense battle-field. Terrific fighting must have taken place here, for the number of buried was enormous. On a wide stretch of land we saw a great number of mounds, with crosses, and covered with quicklime. On the crosses the numbers are given of the brave who fell there. So I read, for example:��

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ONE:The division of matter into minute and indestructible particles served admirably to account for the gradual formation and disappearance of bodies without necessitating the help of a creator. But the infinities assumed as a condition of atomism were of even greater importance. Where time and space are unlimited, the quantity of matter must be equally unlimited, otherwise, being composed of loose particles, it would long since have been dissipated and lost in the83 surrounding void. Now, given infinite time and space, and infinite atoms capable of combining with one another in various ways, all possible combinations must already have been tried, not once or twice, but infinitely often. Of such combinations, that which best fulfils the conditions of mechanical stability will last the longest, and, without being designed, will present all the characters of design. And this, according to Epicurus, is how the actual frame of things comes to be what it is. Nor was it only the world as a whole that he explained by the theory of a single happy accident occurring after a multitude of fortuitous experiments. The same process repeats itself on a smaller scale in the production of particular compounds. All sorts of living bodies were originally throw up from the earth��s bosom, but many of them instantly perished, not being provided with the means of nutrition, propagation, or self-defence. In like manner we are enabled to recall a particular thought at pleasure, because innumerable images are continually passing through the mind, none of which comes into the foreground of consciousness until attention is fixed on it; though how we come to distinguish it from the rest is not explained. So also, only those societies survived and became civilised where contracts were faithfully observed. All kinds of wild beasts have at different times been employed in war, just as horses and elephants are now, but on trial were found unmanageable and given up.162

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THANKS FOR VISITING US

To the objection that his suspensive attitude would render action impossible, Arcesilaus replied that any mental representation was sufficient to set the will in motion; and that, in choosing between different courses, probability was the most rational means of determination. But the task of reducing probable evidence to a system was reserved for a still abler dialectician, who did not appear on the scene until a century after his time. Arcesilaus is commonly called the founder of the Middle, Carneades the founder of the New Academy. The distinction is, however, purely nominal. Carneades founded nothing. His principles were identical with those of his predecessor; and his claim to be considered the greatest of the Greek sceptics is due to his having given those principles a wider application and a more systematic development. The Stoics regarded it as a special dispensation of providence149 that Chrysippus, the organising genius of their school, should have come between its two most formidable opponents, being thus placed in a position to answer the objections of the one and to refute by anticipation those of the other.232 It might seem to less prejudiced observers that the thinker whose cause benefited most by this arrangement was Carneades. Parodying a well-known iambic, he used to say:

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Dick, who had caught up Larry��s abandoned binoculars, saw as they zoomed and climbed that a sailor had rescued the note before it bounded over the cabin roof and deck into the sea.��All right,�� Dick agreed cheerfully. ��But don��t start in earning your nickname all over again,�� he warned.

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