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FORE:This code Plato set himself to construct in his last and longest work, the Laws. Less than half of that Dialogue, however, is occupied with the details of legislation. The remaining portions deal with the familiar topics of morality, religion, science, and education. The first book propounds a very curious theory of asceticism, which has not, we believe, been taken up by any subsequent moralist. On the principle of in vino veritas Plato proposes that drunkenness should be systematically employed for the purpose of testing self-control. True temperance is not abstinence, but the power of resisting temptation; and we can best discover to what extent any man possesses that power by surprising him when off his guard. If he should be proof against seductive influences even when in his cups, we shall be doubly sure of his constancy at other times. Prof. Jowett rather maliciously suggests that a personal proclivity may have suggested this extraordinary apology for hard drinking. Were it so, we should be reminded of the successive revelations by which indulgences of another kind were permitted to Mohammed, and of the one case in which divorce was sanctioned by Auguste Comte. We should also remember that the Christian Puritanism to which Plato approached so near has always been singularly lenient to this disgraceful vice. But perhaps a somewhat higher order of considerations will help us to a better under270standing of the paradox. Plato was averse from rejecting any tendency of his age that could possibly be turned to account in his philosophy. Hence, as we have seen, the use which he makes of love, even under its most unlawful forms, in the Symposium and the Phaedrus. Now, it would appear, from our scanty sources of information, that social festivities, always very popular at Athens, had become the chief interest in life about the time when Plato was composing his Laws. According to one graceful legend, the philosopher himself breathed his last at a marriage-feast. It may, therefore, have occurred to him that the prevalent tendency could, like the amorous passions of a former generation, be utilised for moral training and made subservient to the very cause with which, at first sight, it seemed to conflict.The word Sophist in modern languages means one who purposely uses fallacious arguments. Our definition was probably derived from that given by Aristotle in his Topics, but does not entirely reproduce it. What we call sophistry was with him eristic, or the art of unfair disputation; and by Sophist he means one who practises the eristic art for gain. He also defines sophistry as the appearance without the reality of wisdom. A very similar account of the Sophists and their art is given by Plato in what seems to be one of his later dialogues; and another dialogue, probably composed some time previously, shows us how eristic was actually practised by two Sophists, Euthyd��mus and Dionysod?rus, who had learned the art, which is represented as a very easy accomplishment, when already old men. Their performance is not edifying; and one only wonders how any Greek could have been induced to pay for the privilege of witnessing such an exhibition. But the word Sophist, in its original signification, was an entirely honourable name. It meant a sage, a wise and learned man, like Solon, or, for that matter, like Plato and Aristotle themselves. The interval between these widely-different connotations is filled up and explained by a number of individuals as to whom our information is principally, though by no means entirely, derived from Plato. All of them were professional teachers, receiving payment for their services; all made a particular study of language, some aiming more particularly at accuracy, others at beauty of expression. While no common doctrine can be attributed to them as a class, as individuals they are connected by a series of graduated transitions, the final outcome of which will enable us to understand how, from a title of respect, their name could be turned into a byword of reproach. The Sophists, concerning whom some details have been trans77mitted to us, are Protagoras, Gorgias, Prodicus, Hippias, P?lus, Thrasymachus, and the Eristics already mentioned. We have placed them, so far as their ages can be determined, in chronological order, but their logical order is somewhat different. The first two on the list were born about 480 B.C., and the second pair possibly twenty years later. But neither Protagoras nor Gorgias seems to have published his most characteristic theories until a rather advanced time of life, for they are nowhere alluded to by the Xenophontic Socrates, who, on the other hand, is well acquainted with both Prodicus and Hippias, while, conversely, Plato is most interested in the former pair. We shall also presently see that the scepticism of the elder Sophists can best be explained by reference to the more dogmatic theories of their younger contemporaries, which again easily fit on to the physical speculations of earlier thinkers.

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