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The scenery was preposterous: red and green flowers growing on violet boughs, with forests in the background of pink and yellow trees; perspective views of streets, in which the houses were climbing over each other, and finally a purple cavern under a brilliant yellow sky.

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At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.
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THREE:"Yes, I know. How much?"The streets were hung with gaudy flags and[Pg 135] coloured paper. Altars had been erected, four poles supporting an awning with flounces of bright-coloured silk, and under them a quantity of idols, of vases filled with amaryllis and roses, and even dainty little Dresden figuresexquisite curtseying Marquises, quite out of their element among writhing Vishnus and Kalis.
THREE:
ONE:A large building of red and white stone, with spacious arcades and a central dome, as vast as a cathedral, stands at the angle of two avenuesthe[Pg 6] railway terminus; and a great market of iron and glassCrawford Market. Here are mountains of fruit, greenery, and vegetables of every colour and every shade of lustre; and a flower garden divides the various market sheds, where little bronze coolies, in white, scarcely clad, sell oranges and limes.A naked fakir, his brown skin plastered with flour, and his long black hair all matted, bent over the bodies muttering holy words; then flourishing two yellow rags that he took out of a wallet hanging from his shoulder, he exorcised the station, driving away the spectre of the pestilence; going very fast, running along the line by which the evil had come, and vanishing where the rails ended behind the trees.
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BY: ADMIN | 05.01.2013

TWO:At another station, a man, standing on the carriage step, held out a broad sheet to a servant, the two ends falling to the ground. Then a lady stepped out, hid herself under the stuff, which wrapped her from head to foot, and walked along the platform with a woman-servant. She was the wife of some superior clerk, not rich enough to have a palankin, but of too high caste to uncover her facea white bundle tottering along the platform. One of her antelope-skin slippers came off; for a second a tiny foot was put out with silver anklets. The woman put her mistress's shoe on again, and then both went to the waiting-room reserved for ladies.

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BY: ADMIN | 05.01.2013

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BY: ADMIN | 05.01.2013

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THREE:"How do you expect to pay?" asked his master, an officer.

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THREE:Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.

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THREE:[Pg 270]

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THREE:

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In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine.Under the cool shade of evening, the softening[Pg 44] touch of twilight, all this sculptured magnificence assumes an air of supreme grandeur, and calls up a world of legends and beliefs till the temples seem to recede, fading into the vapour of the blue night.
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