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"All right, sir."

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"You are a journalist?"
ONE:"Strange thing," said Balmayne to himself. "A most remarkable thing! Miss Lawrence, will you do a favour for me. I would not trust anybody else. But if you will give me your promise I shall be easy. There is only one thing I have done that I really am sorry for, and you can set it right for me." THREE:CHAPTER X. MACHINERY FOR TRANSMITTING AND DISTRIBUTING POWER.

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ONE:"The larger ones had suffered little; but the majority were jammed by fragments of concrete and steel, which struck between the armour and the front-armour. The small quick-fire cupolas had not been touched by any projectile. 'It is all right,' he said, 'we shall be able to repulse the enemy's attack.'Never have thoughts like these
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ONE:To illustrate the practical application of what has preceded, let it be supposed, for example, that a machine is to be made for cutting teeth in iron racks ? in. pitch and 3 in. face, and that a design is to be prepared without reference to such machines as may already be in use for the purpose.
THREE:Any truth in mechanics, even the action of the "mechanical powers" before alluded to, is received with an air of mystery, unless the nature of power is first understood. Practical demonstration a hundred times repeated does not create a conviction of truth in mechanical propositions, unless the principles of operation are understood.

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THREE:I had to repeat everything about the advance of the French and the landing of the British, whilst they followed my story on the map. But I was soon in a cold sweat, for of course I knew practically nothing, neither of the French nor of the British, and each time when one of the officers pressed for details I was in mortal fear that I might contradict myself. But I stuck to my guns until the end, and assured them that the French had crossed the Belgian frontier near Givet, and were now near Namur, whereas the British, disembarking at Ostend, had advanced as far as Ghent.

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FORE:He passed forward, through Sandy, a note.The passions themselves, and the means by which they can be either excited or controlled, are described in Aristotles Rhetoric with wonderful knowledge of human nature in the abstract, but with almost no reference to the art for whose purposes the information is ostensibly systematised; while in the Ethics they are studied, so to speak, statically, in their condition of permanent equilibration or disequilibration; the virtues and vices being represented as so many different396 aspects of those conditions. It is obvious that such an extremely artificial parallelism could not be carried out without a considerable strain and distortion of the facts involved. The only virtue that can, with truth, be described as a form of moderation is temperance; and even in temperance this is accidental rather than essential. Elsewhere Aristotle deduces the extremes from the mean rather than the mean from the extremes; and sometimes one of the extremes is invented for the occasion. To fit justice, confessedly the most important virtue, into such a scheme, was obviously impracticable without reinterpreting the idea of moderation. Instead of an equilibrium between opposing impulses in the same person, we have equality in the treatment of different persons; which again resolves itself into giving them their own, without any definite determination of what their own may be.289 It cannot even be said that Aristotle represented either the best ethical thought of his own age, or an indispensable stage in the evolution of all thought. The extreme insufficiency of his ethical theory is due to the fancied necessity of squaring it with the requirements of his cosmological system. For no sooner does he place himself at the popular point of view than he deduces the particular virtues from regard to the welfare of others, and treats them all as so many different forms of justice.290

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FORE:

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FORE:Cores are employed mainly for what may be termed the displacement of metal in moulds. There is no clear line of distinction between cores and moulds, as founding is now conducted; cores may be of green sand, and made to surround the exterior of a piece, as well as to make perforations or to form recesses within it. The term 'core,' in its technical sense, means dried moulds, as distinguished from green sand. Wheels or other castings are said to be cast in cores when the moulds are made in pieces and dried. Supporting and venting cores, and their expansion, are conditions to which especial attention [95] is called. When a core is surrounded with hot metal, it gives off, because of moisture and the burning of the 'wash,' a large amount of gas which must have free means of escape. In the arrangement of cores, therefore, attention must be had to some means of venting, which is generally attained by allowing them to project through the sides of the mould and communicate with the air outside.

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FORE:The inhabitants had already had a variety of experiences. On Tuesday, August 4th, the first German troops arrived before the little town. The gendarmes stationed there offered resistance to the invading enemy, but, being hopelessly outnumbered, they were all shot down. As they were lying on the ground, badly wounded, Dr. Frits Goffin, head of St. Hadelin College, came in great haste as soon as he heard the shooting.Somebodys overboard!

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FORE:48The De Rerum Natura is the greatest of Roman poems, because it is just the one work where the abstract genius of Rome met with a subject combining an abstract form with the interest and inspiration of concrete reality; where negation works with a greater power than assertion; where the satire is directed against follies more wide-spread and enduring than any others; where the teaching in some most essential points can never be superseded; and where dependence on a Greek model left the poet free to contribute from his own imagination those elements to which the poetic value of his work is entirely due. By a curious coincidence, the great poet of mediaeval Italy attained success by the employment of a somewhat similar method. Dante represented, it is true, in their victorious combination, three influences against which Lucretius waged an unrelenting warfarereligion, the idealising love of woman, and the spiritualistic philosophy of Greece. Nevertheless, they resemble each other in this important particular, that both have taken an114 abstract theory of the world as the mould into which the burning metal of their imaginative conceptions is poured. Dante, however, had a power of individual presentation which Lucretius either lacked or had no opportunity of exercising; and therefore he approaches nearer to that supreme creativeness which only two races, the Greek and the English, have hitherto displayed on a very extended scale.

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FORE:A number of the men were taken to Germany, the others were kept as prisoners in the neighbourhood, and by and by had to suffer the shame of being74 compelled to work for the enemy. Amongst them were men who had never done any manual work, such as an aged notary public.

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"All right, sir."

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"You are a journalist?"
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73One of the soldiers took me to the spot where two days before the Belgians had blown up the railway which had just now been repaired by the German engineers. According to his story eighty troopers had succeeded in surprising a guard of twelve and in pushing on to the railway.Now what do you think of your suspicions? Dick demanded. Sandy shook his head.CHAPTER XIV
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