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欧美人体艺术337p_欧美人体艺术大胆_欧美人体艺术网_欧美人体艺术视频

All along the narrow streets, paved with broad flagstones up and down in low irregular steps, stand the five hundred temples of Benares, and between them houses with carved stone porticoes. The ochre-coloured stone, of which they all are built, is toned in places by a coating of reddish purple, faded by the rain and sun to pale flesh-colour, with an undertone of the yellow wall; and this takes on a glow as of ruby and sunset fires in the watery ripple reflected from the rivera mingling of every hue of intense sunshine, filtering through the awnings spread over the balconiesa glory of repose, tender and clear, which seems to emanate from the objects themselves, and to envelop them in a fine powder of light.

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A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.Some native lancers were man?uvring; they charged at top speed in a swirl of golden dust, which transfigured their movements, making them look as though they did not touch the earth, but were riding on the clouds. They swept lightly past, almost diaphanous, the colour of their yellow khaki uniforms mingling with the ochre sand; and then, not ten yards off, they stopped short, with astonishing precision, like an apparition. Their lances quivered for an instant, a flash of steel sparks against the skya salute to the Maharajahand then they were as motionless as statues.
 
JIKAL
ONE:"And is there no doctor?"
ONE:
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TWO:A large building of red and white stone, with spacious arcades and a central dome, as vast as a cathedral, stands at the angle of two avenuesthe[Pg 6] railway terminus; and a great market of iron and glassCrawford Market. Here are mountains of fruit, greenery, and vegetables of every colour and every shade of lustre; and a flower garden divides the various market sheds, where little bronze coolies, in white, scarcely clad, sell oranges and limes.A spell seemed to linger over this little bazaar, to slacken every movement and give the people an indolent grace. They spoke languidly in the shade of the awnings spread by the flower-sellers and the jewellers, who, with little ringing taps, were [Pg 95]hammering out minute patterns on silver anklets and necklaces.

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TWO:Our last evening at the Residency, where I had spent days made enchanting by music.
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FORE:[Pg 168]One of the police in charge had a whip, and when he was leading away the old man, holding his chain he "played horses" with him, to the great amusement of the bystanders, and even of the old fellow himself.

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FORE:When a Sikh is beaten and surrenders he takes off his turban and lays it at the conqueror's feet, to convey that with the turban he also offers his head.To reach this tower in its garden of flowering shrubs the way is under the Alandin gate of pink sandstone; the name evokes a tale of wonder, and the pointed arch, exquisitely noble in its curve, looks like pale vellum, graven all over with ornaments, and inscriptions to the glory of Allah.

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FORE:A humble poet, more venerated than the kings whose superb mausoleums are crumbling to dust in subjugated India, who, though she forgets her past, is still true to her dreams.

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TWO:At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.
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THREE:On quitting Hyderabad, to the right and left of the iron road, the landscape was for a long way the same; rocks, that looked as if they had been piled up and then rolled over, lay in russet heaps among peaceful little blue lakes without number, breaking the monotony of the wide, scorched fields, a sheet of pure gold. At one of the stations a beggar was rattling his castanets furiously, and singing something very lively and joyous. At the end of each verse he shouted an unexpected "Oh!" just like the cry of a Paris ragamuffin.
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THREE:In the evening, on my way to dine with a friend by Malabar Hill, I could hardly recognize some parts of the town: houses, a camp of little huts and tents, a whole district had been swept away.When we stopped to change horses, two or three mud-huts under the shade of a few palm trees would emit an escort of little native boys, who followed the fresh team, staring at the carriage and the "Inglis Sahib" with a gaze of rapturous stupefaction.
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THREE:From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.
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TWO:At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.
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The children of the bazaar watched them pass, holding out in their fingers scraps of foodthe remains of cakes, green fruit, or handfuls of rice, and the famishing creatures quarrelled for the morsels, frightening the little ones, who fled. Then they disappeared silently under the awnings, filling the air with a smell of dust and pepper, scaring the pigeons away from the pool for ablutions, and the birds fluttered up in dismay in the rosy sunset glow, seeking some other refuge for the night.On a square, shaded by an awning, with porticoes all round, coolies in white dresses sat on the ground making up little bunches of flowers, the blossoms without stems tied close to a pliant cane for garlandsjasmine, roses, chrysanthemums, and sweet basilfor in India, as in Byzantium of old, basil is the flower of kings and gods. The basil's fresh scent overpowered the smell of sandal-wood and incense which had gradually soaked into me in the presence of the idols, and cleared the atmosphere delightfully. A woman rolled up in pale-tinted muslins under the warm halo of light falling through the[Pg 80] awning, was helping one of the florists. She supported on her arm a long garland of jasmine alternating with balls of roses. Almost motionless, she alone, in the midst of the idols, at all reminded me of a goddess.
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