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Mme. de Genlis, finding Paris too dear, moved to Versailles where she lived for a time, during which she had the grief of losing her nephew, Csar Ducrest, a promising young officer, who was killed by an accident.

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It was a change indeed from Louis XVI. Every one trembled before Napoleon except his brother Lucien; and perhaps his mother, who, however, never had the slightest influence over him. He required absolute submission; but if not in opposition to his will, he liked a high spirit and ready answer [463] in a young man, or woman either, and detested weakness, cowardice, and indecision.
ONE:Speaking of Pulchrie in her journal, Mme. de [410] Genlis, it may be remarked, does not venture to lavish upon her the unstinted praises which she pours upon her sister; but remarks that when she left her care and entered society on her marriage, she had the most excellent ideas and sentiments, the purest mind, and the highest principles possible.Before parting, after a month spent together, the three sisters composed a beautiful litany to be said by them in remembrance of their mother, sister, and grandmother. It opened with that sublime passage of scripture beginning with the words, The souls of the righteous are in the hands of God; there shall no torment touch them. TWO:[x]

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ONE:E. H. BearneWhat are you doing here? We have just proscribed you!

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THREE:

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THREE:But the stories against Mme. de Genlis have never been cleared up. Much that was said about her was undoubtedly false, but there remain serious accusations which can neither be proved nor disproved; and that a long, intimate friendship between a prince of the character of Philippe-galit and a young, attractive woman who was governess to his children should have been no more than a platonic one, passes the bounds of credibility.

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THREE:THE theatre was a passion with Mme. Le Brun, and all the more interesting to her from her friendships with some of the chief actors and actresses, and her acquaintance with most of them, from the great geniuses such as Talma, Mlle. Mars, and Mlle. Clairon to the dbutantes like Mlle. Rancourt, whose career she watched with sympathetic interest. For Mme. Dugazon, sister of Mme. Vestris and aunt of the famous dancer Vestris, she had an unmixed admiration; she was a gifted artist and a Royalist heart and soul. One evening when Mme. Dugazon was playing a soubrette, in which part came a duet with a valet, who sang:

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THREE:Capital letter I

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ONE:

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NaplesLady HamiltonMarie Caroline, Queen of NaplesMesdames de FranceTheir escapeLes chemises de MaratRomeTerrible news from FranceVeniceTurinThe Comtesse de ProvenceThe 10th AugustThe RefugeesMilanViennaDelightful societyPrince von KaunitzLife at Vienna.Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
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