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The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.
 
ONE:Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful.
TWO:

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THREE:After her another woman repeated the ceremony, and then they went away, still singing. This went on for part of the evening. When it was all over they went to eat rice at the bridegroom's house, and meanwhile the same ceremony had been performed with the bride, whom her neighbours had taken it by turns to anoint and perfume, in a house closed against prying eyes.

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THREE:One of the servants of the place, sitting in the shade of the arcade, was painting, after a strange method. He sprinkled powdered colour on the surface of some water in a tub, outlining the colour with black; then, with a feather, he massed and arranged the colours, taking some off and replacing it in infinitesimal quantities. Finally the result was a representation of Siva and Ourasi, robed in blue and violet, against a background of crude red. When they were quite finished he jerked the bowl, giving the figures a curtseying motion, and stood a little way off to contemplate the general effect;[Pg 158] and then, quite satisfied, stirred the whole thing up and began again, the same picture, with the same precise care.

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TWO:The city produces an impression as of a town built in the clouds and then dropped, scattered over the plain with vast arid and barren spaces left between the houses. In the native and Moslem quarters, indeed, there is a crowd of buildings, closely packed, crammed together on quite a small plot of ground; and among them the electric tramway runs its cars, useless just now, and empty of travellers, for it is the beginning of Ramadan, and the Mohammedans in broad daylight are letting off crackers in honour of the festival.
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FORE:

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FORE:A vision of Europe. Cottages surrounded by lawns under the shade of tall trees, and against the green the scarlet coats of English soldiers walking about. And close about the houses, as if dropped there by chance, tombs covered with flagstones and enclosed by railings, and on all the same date, June or July, 1857. Further away, under the trees, are heaps of stones and bricks, the ruins of mosques and forts, hardly visible now amid the roots and briars that look like the flowery thickets of a park, varied by knolls to break the monotony of the level sward. In the native town that has grown up on the site of the palace of Nana Sahib, built indeed of the[Pg 186] ruins of its departed splendour, dwell a swarm of pariahs, who dry their rags and hang out clothes and reed screens over every opening, living there without either doors or windows, in utter indifference to the passer-by.

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FORE:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.

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FORE:"No; Kali is a cruel, bloodthirsty goddess, while the Virgin"

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FORE:A bulbul, flying out of a temple where it had been picking up the offered rice, perched on a pomegranate tree and began to sing, at first a little timid chirp, and then a ripple of song, soon drowned by the shrieks of parrots, which came down on the tree and drove out the little red-breasted chorister.

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FORE:Then, suddenly, there was a clatter of tom-toms, and rattling of castanets, a Hindoo funeral passing by. The dead lay stretched on a bier, his face painted and horrible, a livid grin between the dreadful scarlet cheeks, covered with wreaths of jasmine and roses. A man walking before the corpse carried a jar of burning charcoal to light the funeral pile. Friends followed the bier, each bringing a log of wood, to add to the pyre as a last homage to the dead.

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TWO:A long train of wailing women, loud in lamentation, came slowly out of a house where one lay dead whom they had just been to look at, on their way now to wash their garments, defiled by contact with the body. But all dressed in red, with gaudy embroidery in yellow, white, and green, and large spangles of looking-glass glittering in the sun, they did not look much like mourners.
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THREE:A station on the roadthe delightful days at Bunnoo left far behind.In the courtyard a tall and gaudy cock was keeping the crows in order, driving them relentlessly away from the kitchen precincts. On the roof of the servants' quarters, always in the same spot, perched a kite, ready to pounce as soon as anything was thrown out. The doves, the house-pigeons, the fowls fled at once and squatted in corners; but the cock stood his ground, his feathers all on end, his crest erect, chuckling with rage and stalking round the yard within ten paces of the bird of prey.
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THREE:
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THREE:In an ancient mosque, somewhat dilapidated, was an infant-school. Little heaps of stuff, pink and yellow and white, and above them emaciated little faces with large dark eyes that had greenish-blue lights in them, all moving and rocking continually, and spelling aloud out of open books set up on wooden folding desks. The master in his pulpit listened stolidly with half-shut eyes, and detected the mistakes in all this twitter of little voices.And, quite unexpectedly, as we turned a corner beyond the coppersmiths' alley, we came on a row of tea-shops, displaying huge and burly china jars. Chinamen, in black or blue, sat at the shop doors in wide, stiff armchairs, their fine, plaited pigtail hanging over the back, while they awaited a customer with a good-humoured expression of dull indifference.
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TWO:On the sloping bank to the river stood a large wooden mosque falling into ruins. In front of this building was a plot full of tombstones, some overthrown, some still standing on the declivity.Finally, in a third mosque, lies Shah Alam's brother. On the stone that covers him a sheet of lead bears the print of two gigantic feet, intended to perpetuate to all ages the remembrance of his enormous height.
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TWO:
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In a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.
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