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THREE:"Sa-ay! I'll wrastle you fo' them-ah clo'es."

THREE:Now, the afternoon was very warm and very still. Where they stood the only sounds that could reach them were the slight crack of the batted ball, and the soft padding of the fielders.[Pg 15] That was why the thing that happened next could hardly be mistaken. It began by the strange figure suddenly putting both hands upon the top of the hurdle and raising himself up about an inch off the ground. He looked all at once enormously alive and vital. Light flashed in his eyes."Yes," echoed Gregg enthusiastically, "a multiform world. A world in which man moves as he will, grows as he will, behaves in every way exactly as he wills. A world set free! Think of what it means!"

THREE:So he produced one of his fish-hooks, and intimated that he would give it for the captive. There was a brief conversation between father and son, which resulted in the desired exchange. Frank handed the tortoise over to the guide, with instructions to set it free at a favorable time and place. The latter complied by delivering the prize to the cook as an agreeable addition to the bill of fare for the next meal. So the freedom of the tortoise was not exactly the kind that his liberator had intended.

THREE:"Yes, bub," I replied. The two men laughed so explosively that my horse lifted his head austerely."But the artists do not confine themselves to porcelain; they do a great deal of enamelling on metal, and some of their productions in this way are quite as interesting as their enamelling on porcelain. They did not invent the art, so it is said, but borrowed it from the Chinese, who had in their turn borrowed it from Persia or some other of the Central Asiatic countries. Some of the Japanese artists claim that the art was borrowed from their country, but the most of those who have studied the subject say that this claim is incorrect. But no matter who invented the process,[Pg 246] it is very beautiful and is of great antiquity; it is capable of a great many variations, and, although it has been in use for centuries, hardly a year passes without some improvements in it. In making the metal enamels the strips of brass are soldered to the surface and the cavities are filled up with the liquid coloring. The whole is then baked as in the porcelain process, and the surface of the work is carefully polished until all the lines are fully developed and the completed article shines like glass.