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THREE:This Rawal Pindi is an English town of cottages surrounded by lawns and shrubberies; about two streets of bazaar, and red uniforms everywhere, Highland soldiers in kilts, white helmets, and the officers' and sergeants' wives airing their Sunday finery in their buggies. The ladies drive themselves, under the shelter of a sunshade on an all[Pg 239] too short stick, painfully held by a hapless native servant clinging to the back of the carriage in a dislocating monkey-like attitude.
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THREE:At another station, a man, standing on the carriage step, held out a broad sheet to a servant, the two ends falling to the ground. Then a lady stepped out, hid herself under the stuff, which wrapped her from head to foot, and walked along the platform with a woman-servant. She was the wife of some superior clerk, not rich enough to have a palankin, but of too high caste to uncover her face��a white bundle tottering along the platform. One of her antelope-skin slippers came off; for a second a tiny foot was put out with silver anklets. The woman put her mistress's shoe on again, and then both went to the waiting-room reserved for ladies.
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THREE:Suddenly there was a panic among the horses; they shied, reared, and bolted across the fields, and the road being cleared, the elephants belonging to the Ameer of Cabul went by, to march at the head of the caravan. Next came a thousand camels, also the Ameer's; like the elephants, they carried no baggage, but on the back of one female was a young one, tied into a basket, born only the day before, all white and woolly.
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THREE:The little palace of Nilam Bagh, panelled inside throughout with carved wood, looks like a jewel-casket dropped in a vast park of green shade and[Pg 85] broad lawns. Rawl Shri Bhaosinhji, Rajah of Bhawnagar, is very young, almost a child, and still very shy, dressed in the European fashion in a long grey overcoat, with a voluminous turban of turquoise-blue gauze.At another station, a man, standing on the carriage step, held out a broad sheet to a servant, the two ends falling to the ground. Then a lady stepped out, hid herself under the stuff, which wrapped her from head to foot, and walked along the platform with a woman-servant. She was the wife of some superior clerk, not rich enough to have a palankin, but of too high caste to uncover her face��a white bundle tottering along the platform. One of her antelope-skin slippers came off; for a second a tiny foot was put out with silver anklets. The woman put her mistress's shoe on again, and then both went to the waiting-room reserved for ladies.

THREE:Afternoon, in the bazaar, in the warm glow of the sinking sun, wonderfully quiet. No sound but that of some workmen's tools; no passers-by, no shouting of voices, no bargaining. A few poor people stand by the stalls and examine the goods, but the seller does not seem to care. Invisible guzlas vibrate in the air, and the piping invitation of a moollah falls from the top of a minaret.A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.

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