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I have explained already in the chapter "Round about Lige" that I myself was duped occasionally, for example, by the story of the three hundred civilians who had been shot. To my mind these violent acts at the beginning of the war were part and parcel of the system of frightfulness, by which the Germans tried to scare the population and indirectly the hostile armies, at the same time rousing their own soldiers to anger and fury.
TWO:

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THREE:"You are quite well and blooming?" he asked. "Ah, it is an easy conscience."

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THREE:Second. Machinery for transmitting and distributing power.VI.

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FORE:"The railway viaduct of the suburb Neffe became the scene of a bloody massacre. An old woman and all her children were shot in a cellar. A man sixty-five years old, his wife, a son and a daughter were placed against a wall and shot through the head. Other inhabitants of Neffe were placed in a boat, taken to the Rocher Bayard, and shot there; among them were a woman eighty-three years old and her husband.A mortal soul: since neither man

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FORE:I might rip them apartbut do you think robbers carry acids along to eat up emeralds if they think they are going to profit by taking them?

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FORE:CHAPTER XXXIX. LAWRENCE SHOWS HIS HAND.Lawrence's eyes fairly beamed as he spoke.

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THREE:Lawrence begged to differ. In the first place, he anticipated considerable entertainment. He was not selfish, he said, and had no desire to keep it to himself.

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THREE:For other kinds of work there are drawings furnished, and the plans are dictated by the engineering department of machinery-building establishments, but pattern-makers make their own plans for constructing their work, and have even to reproduce the drawings of the fitting-shop to work from. Nearly everything pertaining to patterns is left to be decided by the pattern-maker, who, from the same drawings, and through the exercise of his judgment alone, may make patterns that are durable and expensive, or temporary and cheap, as the probable extent of their use may determine.
FORE:There were three kinds of strain mentionedtorsional, deflective, and accidental. To meet these several strains the same means have to be provided, which is a sufficient size and strength to resist them; hence it is useless to consider each of these different strains separately. If we know which of the three is greatest, and provide for that, the rest, of course, may be disregarded. This, in practice, is found to be accidental strains to which shafts are in ordinary use subjected, and they are usually made, in point of strength, far in excess of any standard that would be fixed by either torsional or transverse strain due to the regular duty performed."In that case come this way," Balmayne replied. He dared not ask a direct question. He was racking his brains to know who had summoned the doctor, and why. "There is nothing the matter."

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FORE:"Now, look here," he said to the man with the papers. "Those men are to be arrested, but so far away from here as not to give any suspicion of the house being watched. The little dandy chap who just came in is to be left to me. That's all."

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TWO:Thus the final effect of its communion with the Roman mind was not so much to develope Greek philosophy any further, or to reconcile its warring sects with one another, as to aid in their decomposition by throwing them back on the184 earlier forms whence they had sprung. Accordingly we find that the philosophic activity of Hellas immediately before and after the Christian eraso far as there was any at allconsisted in a revival of the Pythagorean and Cynic schools, accompanied by a corresponding resuscitation of primitive Scepticism. This last takes the shape of a very distinct protest against the fashionable naturalism of the age, just as the scepticism of Protagoras and Gorgiasif our view be correcthad once been called forth by the naturalism of Prodicus and Hippias. The principal representative, if not the founder, of Neo-Scepticism was Aenesidmus, who taught in Alexandria, when we are not informed, but probably after the middle of the first century A.D.291 An avowed disciple of Pyrrho, his object was to reassert the sceptical principle in its original purity, especially as against the Academicians, whom he charged with having first perverted and then completely abandoned it.292 Aenesidmus would hear nothing of probabilities nor of moral certainties. He also claimed to distinguish himself from the Academicians by refusing to assert even so much as that nothing can be asserted; but it appears that, in this point, he had been fully anticipated by Arcesilaus and Carneades.293 For the rest, his own Scepticism recalls the method of Gorgias and Protagoras much more distinctly than the method of the New Academya fresh illustration of the archaic and revivalist tendencies displayed by philosophy at185 this period. In other words, it is not against the reasoning processes that his criticisms are directed, but against the theory of causation on the objective side, and against the credibility of our immediate perceptions on the subjective side.294 But, in both directions, he has worked out the difficulties of the old Sophists with a minuteness and a precision unknown to them; and some of his points have been found worth repeating in a different connexion by modern critics. Thus, in analysing the theory of causation, he draws attention to the plurality of causes as an obstacle to connecting any given consequent with one antecedent more than with another; to the illegitimate assumption that the laws inferred from experience hold good under unknown conditions; to the arbitrary assumption of hypothetical causes not evinced by experience; and to the absurdity of introducing a new difficulty for the purpose of explaining an old one.295 With regard to causation itself, Aenesidmus seems to have resolved it into action and reaction, thus eliminating the condition of186 antecedence and consequence, without which it becomes unintelligible.296 THREE:68 FORE:
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FORE:Next day a sallow, seedy, broken-down shop assistant sought and obtained a bedroom at the Orange Tree public-house. He seemed to have money, and therefore he was welcome. He hinted that he was "in trouble" over some stolen goods from his late employer's shop, and the Orange Tree received him with open arms.During the meeting of the British Association in Belfast (1874), the committee appointed to investigate the means of teaching Physical Science, reported that "the most serious obstacle discovered was an absence from the minds of the pupils of a firm and clear grasp of the concrete facts forming a base of the reasoning processes they are called upon to study; and that the use of text-books should be made subordinate to an attendance upon lectures and demonstrations."
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FORE: Holy everlasting Saviour of the human race! Bounteous nurse of mortals! Tender mother of the afflicted! Not for a day or night nor even for one little moment dost thou relax thy care for men, driving away the storms of life and stretching forth to them the right hand of deliverance, wherewith thou dost unravel even the tangled threads of fate, soothe the storms of fortune, and restrain the hurtful courses of the stars. The gods above adore thee, the gods below respect; thou dost cause the heavens to roll, the sun to shine; the world thou rulest, and treadest Tartarus under foot. To thee the stars reply, for thee the seasons come again; in thee the deities rejoice, and thee the elements obey. At thy nod the breezes blow, the clouds drop fatness, the seeds germinate and seedlings spring. But my wit is small to celebrate thy praises, my fortune256 poor to pay thee sacrifices, the abundance of my voice does not suffice to tell what I think of thy majesty, nor would a thousand tongues nor an unwearied and everlasting flow of speech. Therefore what alone religion joined to poverty can achieve, I will provide: an image of thy divine countenance and most holy godhead, guarded for perpetual contemplation within the recesses of my heart.397
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FORE:Mr. Everdail? Even Dick, questioning as he repeated the name, was a little doubtful. Why, I thought Mr. Everdail was in
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It is possible, we think, to trace a similar evolution in the history of the Attic drama. The tragedies of Aeschylus resemble the old Ionian philosophy in this, that they are filled with material imagery, and that they deal with remote interests, remote times, and remote places. Sophocles withdraws his action into the subjective sphere, and simultaneously works out a pervading contrast between the illusions by which men are either lulled to false security or racked with needless anguish, and the terrible or consolatory reality to which they finally awaken. We have also, in his well-known irony, in the unconscious self-betrayal of his characters, that subtle evanescent allusiveness to a hidden truth, that gleaming of reality through appearance which constitutes, first the dialectic, then the mythical illustration, and finally the physics of Plato. In Aeschylus also we have the spectacle of sudden and violent vicissitudes, the abasement of insolent prosperity, and the punishment of long successful crime; only with him the characters which attract most interest are not the blind victims, but the accomplices or the confidants of destinythe great figures of a Prometheus, a Darius, an Eteocles, a Clytemnestra, and a Cassandra, who are raised above the common level to an eminence where the secrets of past and future are unfolded to their gaze. Far otherwise with Sophocles. The leading actors in his most characteristic works, Oedipus, Electra, Dejanira, Ajax, and Philoctetes, are surrounded by forces which they can neither control nor understand; moving in a world of illusion, if they help to work out their own destinies it is unconsciously, or even in direct opposition to their own designs.208 Hence in Aeschylus we have something324 like that superb self-confidence which distinguishes a Parmenides and a Heracleitus; in Sophocles that confession of human ignorance which the Athenian philosophers made on their own behalf, or strove to extract from others. Euripides introduces us to another mode of thought, more akin to that which characterises Aristotle. For, although there is abundance of mystery in his tragedies, it has not the profound religious significance of the Sophoclean irony; he uses it rather for romantic and sentimental purposes, for the construction of an intricate plot, or for the creation of pathetic situations. His whole power is thrown into the immediate and detailed representation of living passion, and of the surroundings in which it is displayed, without going far back into its historical antecedents like Aeschylus, or, like Sophocles, into the divine purposes which underlie it. On the other hand, as a Greek writer could not be other than philosophical, he uses particular incidents as an occasion for wide generalisations and dialectical discussions; these, and not the idea of justice or of destiny, being the pedestal on which his figures are set. And it may be noticed as another curious coincidence that, like Aristotle again, he is disposed to criticise his predecessors, or at least one of them, Aeschylus, with some degree of asperity."You need not tell me any more," she whispered hoarsely. "He offered the San Salvator as security to Maitrank, and the murder is out.""You wouldn't force her to confess?"It was the sensation of the hour. Every penny paper had a portrait of sorts of Leona Lalage. The wildest rumours were afloat. As far as anybody knew for the present, the Countess was not at home, and the servants could give no clue as to her whereabouts.Only when Jeff was warming up the engine, checking carefully on his instruments, taking every precaution against any predictable failure, was there time for a moment together and alone.And turned their savage life to civil ways;
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