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TWO:And for an hour as we drove along towards Amber, the old town deserted in favour of modern Jeypoor, the same succession of temples wheeled past. The crenated walls enclose three hills, one of them crowned by a fortress, to defend erewhile the white palace mirrored in the waters of an artificial lake.
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FORE:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.
FORE:Past a magnificent railway station, and through a manufacturing district of tall furnaces, we came to the quiet country and the Ganges, bordered with gardens, where creepers in flower hang over the muddy stream stained with iridescent grease and soot.A dancing-girl went by, wrapped in white muslin as thin as air, hardly veiling the exquisite grace of her shape. Close to us, in front of two musicians playing on the vina and the tom-tom, she began to dance, jingling the rattles and bells on her anklets: a mysterious dance with slow movements and long bows alternating with sudden leaps, her hands crossed on her heart, in a lightning flash of silver necklets and bangles. Every now and then a shadow passed between the nautch-girl and the lights that fell on her while she was dancing, and then she could scarcely be seen to touch the ground, she seemed to float in her fluttering[Pg 301] drapery; and presently, before the musicians had ceased playing, she vanished in the gloom of a side alley. She had asked for nothing, had danced simply for the pleasure of displaying her grace.
FORE:A vision of Europe. Cottages surrounded by lawns under the shade of tall trees, and against the green the scarlet coats of English soldiers walking about. And close about the houses, as if dropped there by chance, tombs covered with flagstones and enclosed by railings, and on all the same date, June or July, 1857. Further away, under the trees, are heaps of stones and bricks, the ruins of mosques and forts, hardly visible now amid the roots and briars that look like the flowery thickets of a park, varied by knolls to break the monotony of the level sward. In the native town that has grown up on the site of the palace of Nana Sahib, built indeed of the[Pg 186] ruins of its departed splendour, dwell a swarm of pariahs, who dry their rags and hang out clothes and reed screens over every opening, living there without either doors or windows, in utter indifference to the passer-by.The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.
FORE:At the end of the garden, in a little temple, is a statue of the holy man of the size of life, in his favourite attitude, sitting on his crossed legs. Round the image were the most absurd toysand a photograph of the German Emperor! As I was leaving, the fakir called me back, asked me to think of him sometimes, and gave me one of the splendid yellow roses that hung about him like a glory.
FORE:In one vast hall were ancient weapons, swords and pistols, enriched with precious stones; suits of armour damascened with gold, guns with silver stocks set with pearls, and a whole battery of field-pieces to be carried on camels' backs and spit out[Pg 237] tiny ballsenormously, absurdly long, still perched on their saddle-shaped carriages. And in a window bay two toy cannon made of gold and silver, with which Dhuleep Singh used to play as a child before he lost his realm.
FORE:A town in mourning. In the suburban stations, so crowded but three weeks since, there was nobody, and nobody in the train we travelled by. No coolies for the baggage, no carriages, and the tramcars running down the wide, deserted road carried no passengers. The hotel was closed, all the servants had fled in terror of the plague, which was raging with increased violence. Every shop[Pg 92] had the shutters up; the great market, full of golden fruit and shaded by the flowering trees, was equally empty, and in the bazaar the rare wayfarers hurried by in silence.Then a Parsee woman stopped my servant to ask him if I were a doctor.
FORE:They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.
FORE:Flocks of almost tame partridges and wood-pigeons occupying the road did not fly till they were almost under the horses' feet, and all the way as we went, we saw, scampering from tree to tree, the scared little squirrels, grey with black stripes and straight-up bushy tails.
FORE:Some more small boys, a little way off, were doing embroidery, mingling gold thread and coloured silks in patterns on shawls. They were extremely fair, with long-shaped black eyes under their bright-hued pointed caps, and their dresses were gay and pretty, mingling with the glistening shades of silks and gold. And they were all chattering, laughing, and twittering as they worked, hardly needing the master's supervision.

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In the bazaar I sought in vain for the petticoats embroidered with rosettes, flowers, and elephants pursued by tigers, such as the women wear here; these robes are made only to order and are not to be found. Then Abibulla simply asked a beggar-woman to sell me hers. The poor creature, hooted at by some old gossips, retired into a corner to undress, and, wrapped in the packing-cloth in which she had been carrying some rags, brought me the petticoat.
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