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The Revolution had begun indeed, and was advancing at a fearful rate. The King and Queen, seeing the danger they were all in, at this time thought of escaping from Versailles. The Queen told Mme. de Tourzel to make preparations quietly to start. Had they done so it might probably have saved them all, but the King changed his mind and they stayed. [78]

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[x]But Lisette fretted and made herself unhappy, especially when a deliberate attempt was made to destroy her reputation by a certain Mme. S, who lived in the rue Gros-Chenet, to which she herself had not yet removed.The Duc dAyen succeeded in getting away to Switzerland, and the Prince de Poix, who was arrested and being conducted to the Abbaye, contrived to escape on the way, remained hidden in Paris for six months, and then passed over undiscovered to England, where Pauline met him afterwards.
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ONE:If a play was popular at Versailles it was sure to be hissed at Paris; a disgraced minister was the idol of the mob; the only liveries not insulted were those of Orlans.
TWO:Adrienne especially believed implicitly in her husband, who was now the supreme fashion amongst the Liberals, fted, flattered by high and low, and just at this time the idol of the people; a popularity which soon gave place to hatred, and which did no good while it lasted. In euismod quam ac dictum

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ONE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
TWO:Madame Vige Le Brun
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ONE:It was not altogether easy in those days for two women of their age and class to go out unattended and unseen, and if they had been discovered it would have caused gossip and scandal. So one dark night they disguised themselves as grisettes, put on large cloaks with hoods and let themselves out through a side door in the garden of the h?tel. After a long walk they arrived, very tired and rather frightened, at a dirty house in a bad quarter, on the fifth floor of which the wizard lived. They rang a dirty-looking bell, a dingy servant appeared with a smoky lamp, and led them into a dimly-lighted room adorned with deaths heads and other weird-looking symbols. As they looked round them with misgiving a concealed door suddenly opened and the wizard stood before them dressed in a long flame-coloured robe, with a black mask, and began to make passes in the air with an ivory wand, using strange words they could not understand, while blue sulphur flames played around him.
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ONE:If religious processions, and splendid carriages with six or eight horses preceded by piqueurs, were no longer to be seen in the streets, neither were mobs of drunken, howling, bloodthirsty ruffians, who would have been made short work of by the great First Consul who so firmly held the reins which had dropped from the feeble hands of Louis XVI.
TWO:Grassini had sung at her London parties, and comparing these two great singers and actressesboth young, beautiful, and celebratedMme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression. FORE:

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At last a letter came to say that Adrienne was free. She had been the last to be released from Plessis after the death of Robespierre had, to a great extent, stopped the slaughter and opened the prisons. Her captivity had lasted from October, 1793, till February, 1795; and now, very soon after her letter, Adrienne arrived with her two young daughters at Altona.The first meeting of Trzia with the man who was to play the most important part in her life took place in the studio of Mme. Le Brun, to be painted by whom was then the height of fashion. Mme. Le Brun, enraptured with her beauty and dissatisfied with her own representation of it, was a long time altering and retouching, and every day saw some new improvement to make.In education, principles, conduct, and nationality, they were absolutely different, but each of them was typical of the time, the class, and the party to which she belonged.
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