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Down by the river a coyote scudded across her path as she made her way through the willows, and when he was well beyond, rose up on his hind legs and looked after her. At the water's edge she stopped and glanced across to the opposite bank. The restlessness was going, and she meant to return now, before she should be missedif indeed she were not missed already, as was very probable. Yet still she waited, her hands clasped in front of her, looking down at the stream. Farther out, in the middle, a ripple flashed. But where she stood among the bushes, it was very dark. The water made no sound, there was not a breath of air, yet suddenly there was a murmur, a rustle.

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Some may think that we have pushed this point at unnecessary length. But the Neo-Platonic method is not quite so obsolete as they, perhaps, suppose. Whenever we repeat the Nicene and Athanasian Creeds, we are expressing our religious belief in the language of the Alexandrian schools, thus pledging ourselves to metaphysical dogmas which we can neither explain nor defend. Such terms as sonship and procession have no meaning except when applied to relations conceived under the form of time; and to predicate eternity of them is to reduce them to so much unintelligible jargon."How do I know you're done with me yet?" she snapped.
TWO:"Well, not in the immediate vicinity," he admitted. "No; but they passed along the foot-hills, and stole some stock, an' killed three men no later than this evening."

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There was peace and harmony in the home of the Reverend Taylor. An air of neatness and prosperity was about his four-room adobe house. The mocking-bird that hung in a willow cage against the white wall, by the door, whistled sweet mimicry of the cheep of the little chickens in the back yard, and hopped to and fro and up and down on his perches, pecking at the red chili between the bars. From the corner of his eyes he could peek into the window, and it was bright with potted geraniums, white as the wall, or red as the chili, or pink as the little crumpled palm that patted against the glass to him.In point of style, Plotinus is much the most difficult of the ancient philosophers, and, in this respect, is only surpassed by a very few of the moderns. Even Longinus, who was one of the most intelligent critics then living, and who, besides,283 had been educated in the same school with our philosopher, could not make head or tail of his books when copies of them were sent to him by Porphyry, and supposed, after the manner of philologists, that the text must be corrupt, much to the disgust of Porphyry, who assures us that its accuracy was unimpeachable.426 Probably politeness prevented Longinus from saying, what he must have seen at a glance, that Plotinus was a total stranger to the art of literary composition. We are told that he wrote as fast as if he were copying from a book; but he had never mastered even the elements of the Greek language; and the weakness of his eyesight prevented him from reading over what he had written. The mistakes in spelling and grammar Porphyry corrected, but it is evident that he has made no alterations in the general style of the Enneads; and this is nearly as bad as bad can bedisjointed, elliptical, redundant, and awkward. Chapter follows chapter and paragraph succeeds to paragraph without any fixed principle of arrangement; the connexion of the sentences is by no means clear; some sentences are almost unintelligible from their extreme brevity, others from their inordinate length and complexity. The unpractised hand of a foreigner constantly reveals itself in the choice and collocation of words and grammatical inflections. Predicates and subjects are huddled together without any regard to the harmonies of number and gender, so that even if false concords do not occur, we are continually annoyed by the suggestion of their presence.427
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