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Every house in the town was shuttered, not a soul was to be seen in the baked streets; only here and there in a shady corner a beggar might be seen asleep. A chigram only was slowly moving along at the slow pace of two draught oxen, carrying the women of a zenana, and their constant chatter[Pg 300] within the curtains of the clumsy vehicle sounded formidably loud and discordant in the silence, the death-like exhaustion of noon. A foxy smell came up from everything that the sun was baking, and towards the end of the day it had become intolerable, corpse-like. It died away, however, after sunset.

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High on a hill, one with the rock, are built the temples, up to which is a flight of steps hewn in the stone itself. At every stage, or nearly, are little shrines with images of Ganesa, the elephant-headed god, or of Ananta, the sacred serpent, decked with flowers, the mindi flower, which has[Pg 108] a strong scent of pepper. In some places the whole temple, as vast as a cathedral, is hewn out of the hillside; the columns in elaborate and intricate patterns, the niches and altars wrought with inconceivable toil and patience, not a scrap added or stuck on. In the dim distance is a huge red statue of Siva, wreathed with flowers.Then an elder of the family deliberately lights the first firea lamp hanging in the vestibule; and as soon as they see the flame the High Dastour and all those present bow in adoration with clasped hands. The bridegroom and the priest go into the house and have their hands and faces washed; then, preceded by the band and followed by all the guests, they proceed to the home of the bride.
TWO:An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.
THREE:

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THREE:

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THREE:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.

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THREE:That evening, near the temple where the god, having left the tank, was receiving the flowers and scents offered by his votaries, there was howling and yelling from the crowd of Hindoos, all crushing and pushing, but going nowhere. And louder yet the noise of the tom-toms, which the musicians raised to the desired pitch by warming them in front of big fires throwing off clouds of acrid smoke.
THREE:Another sanctuary holds an idol made of seven metals mingled to a pale golden hue. The statue is loaded with jewellery of silver and precious stones. On its head is a fan-shaped diadem starred with rubies. The walls and columns, of a dull purple, are decorated with gaudy mosaic of scraps of looking-glass set in brass along the lines of the mouldings.
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    In the hotel compoundmore absurd than all the rest, lost in a waste of open land beyond the seething native townthere was a swarm of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub of laughter and crying came up from this litter of brats, more weariful than the silence of vacancy all around.Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work.All about the town of pink plaster, in the dust of the roads and fields, are an endless number of dead templestemples of every size and of every period; and all deserted, all empty; even those that are uninjured look like ruins.
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