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Outside the palace is a large garden, devoid of shade, with pools of water bowered in flowers and shrubs that shelter myriads of singing birds. At the end of the park is a tank full of crocodiles. A keeper called the brutes, and they came up facing us in a row, their jaws open to catch the food which the Rajah amuses himself by throwing to them.

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Then, on the right, endless pools and rivers; naked men were ploughing in the liquid mud and splashed all over by the oxen drawing a light wooden plough, their bronze bodies caked ere long with a carapace of dry, grey mud.The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.
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ONE:He, with his four sons, goes to pay a call on Tazulmulook, whom he does not recognize in his palace, when suddenly Dilbar arrives to claim her prisoners. The fifth son then relates to the king the deeds of his elder brothers, and in proof of his words points to the mark each of them bears on his neck. The king anathematizes the princes, and sends them to prison, but loads Tazulmulook with honours and affection.

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ONE:In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costumea full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low downcharcoal warmers that they carry next their skin under their robe.

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ONE:A little way off an old man was wrapping the naked body of a poor woman in a white cloth; then he fastened it to two poles to dip it in the river; finally, with the help of another Sudra, he laid the corpse on a meagre funeral pile, and went off to fetch some live charcoal from the sacred fire which the Brahmins perpetually keep alive on a stone terrace overlooking the Ganges. He carried the scrap of burning wood at the end of a bunch of reeds, and, praying aloud, walked five times round the pyre, which completely concealed the body. Then he gently waved the bunch of reeds, making them blaze up, and placed them beneath the wood, which slowly caught fire, sending up dense curling clouds of white vapour and slender tongues of flame, creeping along the damp logs that[Pg 167] seemed to go out again immediately. But suddenly the fire flared up to the top of the pile; the flesh hissed in the flame, and filled the air with a sickening smell.A muffled sound of instruments, mingling in confusion in the myriad echoes, came dying on my ear, hardly audible. A gleam of light flashed in the corridor and then went out. Then some lights seemed to be coming towards me, and again all was gloom. An orchestra of bagpipes, of kemanches and darboukhas sounded close by me, and then was lost in the distance, and the phantasmagoria of lights still went on. At last, at the further end of the arcade where I was standing, two men raised green-flamed torches at the end of long poles, followed by two drummers and musicians playing on bagpipes and viols. Children squatting on the ground lighted coloured fire that[Pg 118] made a bright blaze, and died out in stifling smoke, shrouding the priestsa cloud hardly tinted by the torches.

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ONE:In front of a Buddhist temple were some tanks in which enormous tortoises were swimming. On the building, above carvings of elephants in relief on the stone, were a number of mural paintings, artless and terrible scenes set forth with the utmost scorn of perspective and chiaroscuro: a place of torment where green monsters thrust the damned against trees of which the trunks are saws, and enormous red and yellow birds devour living victims.

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TWO:The bargaining was interminable, something in this manner:Elephants, freshly painted, go past begging.

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THREE:A kind of grey snipe, as they rose to fly, spread white wings which made them look like storks or gulls, and then, dropping suddenly, became dull specks again, scarcely distinguishable on the margin of the tank. Ibis, on the watch, with pretty, deliberate, cautious movements, stood on one leg,[Pg 105] their bodies reflected in the mirror on which lay the lotus and the broad, frilled leaves of the water-lily, and a sort of bind-weed hanging from the edge in festoons of small, arrow-shaped leaves, with a crowd of tiny pink starry flowers that looked as if they were embroidered on the water.The fourteen hundred and fifty-two gods of the Ja?n paradise are represented on a sculptured pyramid under a pagoda: little tadpoles of white stone crowded together, two black dots showing for eyes in the middle of the round featureless faces; on one side a more important god, sitting alone, has a rather less elementary countenance.

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THREE:As we returned the wind had fallen, and the men rowed. The moon rose pale gold, and in the distance, in the violet haze, the lights of Bombay mingled with the stars. The boatmen's[Pg 23] chant was very vague, a rocking measure on ascending intervals.And, quite unexpectedly, as we turned a corner beyond the coppersmiths' alley, we came on a row of tea-shops, displaying huge and burly china jars. Chinamen, in black or blue, sat at the shop doors in wide, stiff armchairs, their fine, plaited pigtail hanging over the back, while they awaited a customer with a good-humoured expression of dull indifference.

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THREE:All round the post-office there is invariably a crowd of natives scribbling in pencil on post-cards held in their left hands. Their correspondence is lengthy, minute, and interminable; in spite of their concentration and look of reflection I could never bring myself to take them seriously, or feel that they were fully responsible for their thoughts and actsmachines only, wound up by school teaching, some going out of order and relapsing into savages and brutes.

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TWO:The regiment is housed under sheds, the horses picketed to the ground by one fore and one hind foot. They are thoroughbred and magnificent beasts, almost all from the prince's stud, and affectionately cared for by the men, who were delighted to be complimented on their steeds.At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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THREE:As we went back we found the roses carried in the morning by the Persian strewn on the ground in front of the Ali Musjid, and over them a flock of birds with red beaks were fluttering.

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THREE:At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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THREE:But for once he was mistaken.

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TWO:Soldiers, bristling with daggers and pistols in their belts, are on guard at the gate. Pikes and long muskets stand piled in the background; over this arsenal, flowering jasmine and convolvulus with enormous bell flowers hang their graceful shade.

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TWO:An inner fortress, another portal held by armed men, and a walled enclosure, is Golconda, the former capital of the sovereigns of the Deccan. The entrance is through a magnificent archway of gigantic proportions; to close it there are two gates of heavy wood studded all over with long iron spikes, against which, during a siege, elephants charged to their death.Custom
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TWO:On the great banyan trees in the garden, and on every palm, torpid vultures sit in the sun, awaiting the meal that will come with the next funeral procession.As we returned the wind had fallen, and the men rowed. The moon rose pale gold, and in the distance, in the violet haze, the lights of Bombay mingled with the stars. The boatmen's[Pg 23] chant was very vague, a rocking measure on ascending intervals.

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Stones flying, sticks thrownat a little pariah girl, whose shadow as she passed had defiled the food of a Brahmin. He merely threw away the rice, which the dogs soon finished; but the bystanders who had witnessed the girl's insolence in going so near the holy manshe so base and unworthyflew at the unhappy creature, who ran away screaming, abandoning a load of wood she was carrying on her head.A wide open space covered with rubbish heaps was to be seen where the sepoys' barracks had been, and where from the first the men had died of the plague by hundreds. In one garden, a bungalow where a[Pg 303] man had just died was being burnt downstill burning. A party of police were encouraging the fire, and a cordon of native soldiers kept everybody else off.A tame white antelope was wandering about the garden of the old rajahs' palace, under a shower of gardenia-like flowers that hung by a stem[Pg 88] scarcely thicker than a thread. The whole of one avenue was strewn with this snow, on which the graceful little beast, with its large sad eyes, was feeding. Further on, under some other trees with red blossoms, stands a little mausoleum built by the prince over Jacky, his dog, "who was faithful and good."Next came a long file of carts, conveying cases of goods "made in Manchester," or loaded, in unstable equilibrium, with dry yellow fodder like couch grass, eaten by the horses here; and they struggled along the road which, crossing the limitless plain, appeared to lead nowhere.
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