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TWO:Much older than the unfortunate Queen of France, and possessing neither her beauty nor charm, Mme. Le Brun did not take a fancy to her, although she received her very well. She was a strange person, with masculine manners and habits; her great pleasure apparently was riding. Very pale and thin, wearing deep mourning for her brother, the Emperor Joseph II., even her rooms being hung with black, she gave the impression almost of a spectre or a shadow.

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THREE:It had great success at the Salon, was engraved by Müller, and was one of those amongst her works which decided Joseph Vernet, shortly after her return, to propose her as a member of the Royal Academy of Painting. She was duly elected, in spite of the opposition of M. Pierre, who was painter to the King, and a very bad painter too.The Duchesse de Fleury, who had attached herself with such enthusiastic affection to Mme. Le Brun, was scarcely sixteen, although in mind, character, and experience she was far older than her years.

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THREE:One morning the concierge of an isolated house there was asked by a tall, thin man in black, with a strange look whether there was not a pavilion in the garden to let.��You are suffering,�� said the Duchess; ��come confide in me, we are both French in a foreign land, and ought to help and comfort each other.�� [139]

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THREE:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.��These things are impossible. I shall never believe they meditate such atrocities.��

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TWO:To divert his thoughts and attention from the rigours and cruelties, for the perpetration of which he had been sent to Bordeaux, she persuaded him to have his portrait done, and induced him and the artist to prolong the sittings on pretence of making the picture a chef d��?uvre, but in reality to occupy his time and attention; in fact, he was found by some one who called to see him reclining comfortably in a boudoir, dividing his attention between the artist who was painting the portrait and T��r��zia, who was also present.��But your Majesty must remember that even if the Duchess were to return to re-visit us, it would not be your Majesty she would come after.��

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THREE:[23]On Sunday, April 19, 1795, therefore, she left Vienna and went by Prague to Dresden, where she was of course enraptured with the world-famed gallery, and above all with the chef d��?uvre of Raffaelle, the Madonna di San Sisto��that vision of beauty before which every other seems dim and pale. She spent five days at Berlin, stayed a few [123] days more at the castle of her old friend Prince Henry of Prussia, and arrived at St. Petersburg late in July, very tired and exhausted with the journey in an uncomfortable carriage over roads so bad that she was jolted and flung about from one great stone to another from Riga to St. Petersburg, until her only longing was to be quiet and rest.

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THREE:It was before the death of Louis XV., the court was at Compi��gne, and the young Prince, since his marriage was decided, had been less strictly looked after by the Comte de Montbel, his sous gouverneur, who would not usually allow him to go alone into the thicker parts of the forest, not because of wild beasts but of other not less dangerous encounters which were possible.

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