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THREE:A STUDY OF JAPANESE ART.It has happened, however, that a man's own armor has been the death of him. So the moral isolation of a young prig of good red blood who is laudably trying to pump his conduct higher than his character--for that's the way he gets his character higher--has its own peculiar dangers. Take this example: that he does not dream any one will, or can, in mere frivolity, coquette, dally, play mud-pies, with a passion the sacredest in subjection, the shamefulest in mutiny, and the deepest and most perilous to tamper with, in our nature. As hotly alive in the nethermost cavern of his heart as in that of the vilest rogue there is a kennel of hounds to which one word of sophistry is as the call to the chase, and such a word I believed my companion had knowingly spoken. I was gone as wanton-tipsy as any low-flung fool, and actually fancied myself invited to be valiant by this transparent embodiment of passion whose outburst of amorous rebellion had been uttered not because I was there, but only in pure recklessness of my presence. Of course I ought to have seen that this was a soul only over-rich in woman's love; mettlesome, aspiring, but untrained to renunciation; consciously superior in mind and soul to the throng about her, and caught in some hideous gin of iron-bound--convention-bound--or even law-bound--foul play. But I was so besotted as to suggest a base analogy between us and those two sinking stars.