ONE:Mme. de Genlis in her Memoirs denies this story, but goes on to say with that half candour, which is perhaps the most deceptive, that she cannot but confess that her ambition overruled her in this matter; that she thought what was said about Mme. de Montesson and M. de Valence might not be true, or if it were, this marriage would put an end to the liaison; and what seems contradictory, that she believed the reason her aunt was so eager for the marriage was, that she thought it would be a means of attaching to her for ever the man she loved. But that her daughter had great confidence in her, and would be guided by her in the way she should behave.
FORE:One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her.
FORE:
FORE:Half beside herself with anxiety and fear for the fate of the royal family and of all respectable people, Lisette, her child, and the nurse or nursery [87] governess went to the diligence at midnight, escorted by M. Le Brun, Louis Vige, and M. Robert, the landscape painter, an intimate friend of theirs, who never left the diligence, but kept close to its doors as it lumbered along through the narrow dark streets to the barrire du Tr?ne. For the terrible faubourg Saint Antoine had to be passed through, and Lisette was dreadfully afraid of it.
