Lorem ipsum dolor sit amet, consectetur adipisicing elit. Earum quis quod eos placeat iusto, aliquid, dicta odit ipsum facere tenetur aperiam commodi sit nostrum libero reiciendis accusantium, cumque tempora deleniti.
FORE:Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.Eugene, during these affairs, had been actively prosecuting the fortunes of the Allies with his remnant of an army. He pushed on the siege of Quesnoy, and took it. He sent a flying detachment of one thousand five hundred cavalry, under Major-General Grovestein, to make an incursion into France. This force made a rapid raid in Champagne, passed the Noire, the Meuse, the Moselle, and the Saar, ravaged the country, reduced a great number of villages and towns to[7] ashes, rode up to the very gate of Metz, and then retired to Traerbach with a load of rich booty. This was a proof of what might have been done in France at this period with the whole army united under a commander like Marlborough, in place of miserably giving up everything to that country in the moment of power. As it was, it created the utmost consternation in Paris, the people of which already saw the English at their gate; whilst Louis did not think himself safe at Versailles, but gathered all the troops in the neighbourhood of the capital around his palace, leaving the city to take care of itself.
Friend
