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A splendid tribute has been paid to the fame of Empedocles by Lucretius, the greatest didactic poet of all time, and by a great didactic poet of our own time, Mr. Matthew Arnold. But the still more rapturous panegyric pronounced by the Roman enthusiast on Epicurus makes his testimony a little suspicious, and the lofty chant of our own contemporary must be taken rather as an expression of his own youthful opinions respecting mans place in Nature, than as a faithful exposition of the Sicilian thinkers creed. Many another name from the history of philosophy might with better reason have been prefixed to that confession of resigned and scornful scepticism entitled Empedocles on Etna. The real doctrines of an essentially religious teacher would hardly have been so cordially endorsed by Mr. Swinburne. But perhaps no other character could have excited the deep sympathy felt by one poetic genius for another, when with both of them thought is habitually steeped in emotion. Empedocles was the last Greek of any note who threw his philosophy into a metrical form. Neither Xenophanes nor Parmenides had done this with so much success. No less a critic than Aristotle extols the Homeric splendour of his verses, and Lucretius, in this respect an authority, speaks of them as almost divine. But, judging from the fragments still extant, their speculative content exhibits a distinct decline from the height reached by his immediate predecessors. Empedocles betrays a distrust in mans power of discovering truth, almost, although not quite, unknown to them. Too much certainty would be28 impious. He calls on the much-wooed white-armed virgin muse to

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There the German authorities detained me for a full week, by prohibiting me to return: "for the sake of your own safety," they told me courteously. During the day I was busy enough, and in the evenings I enjoyed the pleasant company of the three fathers of the Sacred Heart who had remained in the137 mission house, and with whose photographic instrument I took many a snapshot of the Louvain ruins.
ONE:We perceive a precisely similar change of tone on comparing the two great historians who have respectively recorded the struggle of Greece against Persia, and the struggle of imperial Athens against Sparta and her allies. Though born within fifteen years of one another, Herodotus and Thucydides are virtually separated by an interval of two generations, for while the latter represents the most advanced thought of his time, the former lived among traditions inherited from the age preceding his own. Now, Herodotus is not more remarkable for the earnest piety than for the clear sense of justice which runs through his entire work. He draws no distinction between public and private morality. Whoever makes war on his neighbours without provocation, or rules without the consent of the governed, is, according to him, in the wrong, although he is well aware that such wrongs are constantly committed. Thucydides knows nothing74 of supernatural interference in human affairs. After relating the tragical end of Nicias, he observes, not without a sceptical tendency, that of all the Greeks then living, this unfortunate general least deserved such a fate, so far as piety and respectability of character went. If there are gods they hold their position by superior strength. That the strong should enslave the weak is a universal and necessary law of Nature. The Spartans, who among themselves are most scrupulous in observing traditional obligations, in their dealings with others most openly identify gain with honour, and expediency with right. Even if the historian himself did not share these opinions, it is evident that they were widely entertained by his contemporaries, and he expressly informs us that Greek political morality had deteriorated to a frightful extent in consequence of the civil discords fomented by the conflict between Athens and Sparta; while, in Athens at least, a similar corruption of private morality had begun with the great plague of 430, its chief symptom being a mad desire to extract the utmost possible enjoyment from life, for which purpose every means was considered legitimate. On this point Thucydides is confirmed and supplemented by the evidence of another contemporary authority. According to Aristophanes, the ancient discipline had in his time become very much relaxed. The rich were idle and extravagant; the poor mutinous; young men were growing more and more insolent to their elders; religion was derided; all classes were animated by a common desire to make money and to spend it on sensual enjoyment. Only, instead of tracing back this profound demoralisation to a change in the social environment, Aristophanes attributes it to demagogues, harassing informers, and popular poets, but above all to the new culture then coming into vogue. Physical science had brought in atheism; dialectic training had destroyed the sanctity of ethical restraints. When, however, the religious and virtuous Socrates is put forward as a type of both tend75encies, our confidence in the comic poets accuracy, if not in his good faith, becomes seriously shaken; and his whole tone so vividly recalls the analogous invectives now hurled from press and pulpit against every philosophic theory, every scientific discovery, every social reform at variance with traditional beliefs or threatening the sinister interests which have gathered round iniquitous institutions, that at first we feel tempted to follow Grote in rejecting his testimony altogether. So far, however, as the actual phenomena themselves are concerned, and apart from their generating antecedents, Aristophanes does but bring into more picturesque prominence what graver observers are content to indicate, and what Plato, writing a generation later, treats as an unquestionable reality. Nor is the fact of a lowered moral tone going along with accelerated mental activity either incredible or unparalleled. Modern history knows of at least two periods remarkable for such a conjunction, the Renaissance and the eighteenth century, the former stained with every imaginable crime, the latter impure throughout, and lapsing into blood-thirsty violence at its close. Moral progress, like every other mode of motion, has its appropriate rhythmits epochs of severe restraint followed by epochs of rebellious license. And when, as an aggravation of the reaction from which they periodically suffer, ethical principles have become associated with a mythology whose decay, at first retarded, is finally hastened by their activity, it is still easier to understand how they may share in its discredit, and only regain their ascendency by allying themselves with a purified form of the old religion, until they can be disentangled from the compromising support of all unverified theories whatever. We have every reason to believe that Greek life and thought did pass through such a crisis during the second half of the fifth century B.C., and we have now to deal with the speculative aspects of that crisis, so far as they are represented by the Sophists.Two philosophers only can be named who, in modern times, have rivalled or approached the moral dignity of Socrates. Like him, Spinoza realised his own ideal of a good and happy life. Like him, Giordano Bruno, without a hope of future recompense, chose death rather than a life unfaithful to the highest truth, and death, too, under its most terrible form, not the painless extinction by hemlock inflicted in a heathen city, but the agonising dissolution intended by Catholic love to serve as a foretaste of everlasting fire. Yet with neither can the parallel be extended further; for Spinoza, wisely perhaps, refused to face the storms which a public profession and propagation of his doctrine would have raised; and the wayward career of Giordano Bruno was not in keeping with its heroic end. The complex and distracting conditions in which their lot was cast did not permit them to attain that statuesque completeness which marked the classic age of Greek life and thought. Those times developed a wilder energy, a more stubborn endurance, a sweeter purity than any that the ancient world had known. But until the scattered elements are recombined in a still loftier harmony, our sleepless thirst for perfection can be satisfied at one spring alone. Pericles must remain the ideal of statesmanship, Pheidias of artistic production, and Socrates of philosophic power.
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