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Sil veut de lhonneur et des m?urs,

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And a lad of sixteen at the court of Louis XV. was very different from the average lad of that age in these days and this country, a shy, awkward schoolboy who knows nothing of the world or society, can only talk to other boys, and cares for nothing except sports and games. In the France, or at any rate the Paris, of those days, he was already a man and a courtier, probably a soldier, sometimes a husband and father. [50]
THREE:The Chevalier tried in vain to escape. The apparent madman seized him by the arm. ONE:Meanwhile, she and M. de Genlis had fallen in love with each other, and resolved to marry. As he had neither father nor mother, there was nobody whose consent he was absolutely bound to ask; but a powerful relation, M. de Puisieux, who was the head of his family, had already, with his consent, begun to negotiate his marriage with a rich young girl. Instead of telling M. de Puisieux the state of the case while there was still time to retire without difficulty, M. de Genlis said nothing, but proposed that they should at once marry secretly, to which neither Flicit nor her relations seem to have made any objection. She had no money, and had [367] refused all the marriages proposed to her; here was a man she did like, and who was in all respects unexceptionable, only that he was not well off. But his connections were so brilliant and influential that they could soon put that right, and it was agreed that the marriage should take place from the house of the Marquise de Sercey.Mme. Le Brun, speaking of Mme. de Genlis, says, Her slightest conversation had a charm of which [465] it is difficult to give an idea.... When she had discoursed for half an hour everybody, friends and enemies, were enchanted with her brilliant conversation.
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FORE:The Count listened quietly to all he said, and then replied

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FORE:Votre nom? [23]

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FORE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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THREE:What does that prove? Do not all these brutes say tu nowadays?In reply to her observation that she had a perfect right to go where she chose, they kept repeating
THREE:In her Memoirs, Mme. de Genlis says that the years she spent at the Palais Royal were the most brilliant and the most unhappy of her life.They, therefore, removed to the little town of Zug, on the lake of that name, professing to be an Irish family and living in the strictest retirement. To any one who has seen the little town of Zug, it must, even now, appear remote and retired, but in those days it had indeed the aspect of a refuge forgotten by the world. Sheltered by the mighty Alps, the little town clusters at the foot of the steep slope covered with grass and trees, along the shores of the blue lake. A hundred years ago it must have been an ideal hiding place.
THREE:
THREE:
THREE:CHAPTER VIONE of the Royal palaces was La Muette, and it was on one of the journeys there that the Queen took it into her head to see the sun rise. It appeared a harmless fancy enough, and she suggested it to the King.
THREE:La MuetteSunriseItalyNocturnal adventureGoverness to the children of OrlansScandalous reportsMarriages of her daughtersDeath of the elder oneThe Comte de Valence Marat
THREE:The next morning they went to Raincy, where the Duke and M. de Sillery spent the whole of the day with them. The infatuation between the Duke and Mme. de Genlis seems to have been at an end, if we may trust her account of that last day.
THREE:Yes, my dear son, said the King, making use for the first time of that paternal expression; I know as well as you do that this abb is not well-disposed towards us; but can I take him away from [279] a young woman whom he has educated, [89] and who requires somebody to confide in? Besides, she might choose worse; he is a man without personal ambition, religious and upright, in spite of his leaning to the House of Austria. It will be the Dauphins business to keep him within proper limits; and now I have warned you about what made me most uneasy I feel more satisfied, for I desire above all things that the peace of my family should never be troubled.

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FORE:To her joy she met her old friend Doyen, the painter. He had emigrated two years after her, and arrived at St. Petersburg with no money. The Empress came to his assistance and offered him the directorship of the Academy of Arts. He settled in the Russian capital, where he got plenty of employment, painting both pictures and ceilings for the Empress, who liked him, and for the Russian nobles. The Empress gave him a place near her own box at the theatre, and used often to talk to him.

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FORE:CHAPTER II

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FORE:It is easy to see that the present state of affairs in France offered the most dangerous and the strongest temptation to private vengeance. Any one who had an enemy or who had been offended by any one else, or even who wished to remove some person whose existence was inconvenient to them, had only to denounce them for some trifle which they might or might not have said or done; they were sure to be arrested, and most likely to be put to death.

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FORE:Mme. de Valence seems to have accepted the situation, but by no means with the Griselda-like satisfaction of her sister. Very soon her reputation much resembled that of her husband, and many were the anecdotes told to illustrate the manners and customs of their mnage.

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He went to her room and said as he enteredCHAPTER IVYou will find his book on the third shelf in the library; look it over.Meanwhile, she and M. de Genlis had fallen in love with each other, and resolved to marry. As he had neither father nor mother, there was nobody whose consent he was absolutely bound to ask; but a powerful relation, M. de Puisieux, who was the head of his family, had already, with his consent, begun to negotiate his marriage with a rich young girl. Instead of telling M. de Puisieux the state of the case while there was still time to retire without difficulty, M. de Genlis said nothing, but proposed that they should at once marry secretly, to which neither Flicit nor her relations seem to have made any objection. She had no money, and had [367] refused all the marriages proposed to her; here was a man she did like, and who was in all respects unexceptionable, only that he was not well off. But his connections were so brilliant and influential that they could soon put that right, and it was agreed that the marriage should take place from the house of the Marquise de Sercey.Her extraordinary carelessness about everything but her painting, caused her to make no sort of preparations for this event; and even the day her child was born, although feeling ill and suffering at intervals, she persisted in going on working at a picture of Venus binding the wings of Love.She did not bear the title, which indeed would not then have been permissible; but the well-known [455] arms and blue liveries of Orlans re-appeared on her carriages and in her h?tel, the royal arms of Orlans were embroidered on the fine Saxon linen of her household, the gold plate and delicate Svres china denounced by the Terrorists was to be seen at the princely entertainments at her h?tel in the rue de Provence, where everything was done with the stately magnificence of former days, and whither every one of the old and new society was eager to be presented.
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