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On the morning of the 26th the conflict was confined chiefly to the Faubourg St. Antoine and the greatest stronghold of the insurgents, the Clos St. Lazare. The barriers were built of paving stones of large size, and blocks of building-stone. All the houses commanding them were occupied by the insurgents. The city wall was perforated for a mile in length with loopholes, and from behind it a deadly fire upon the troops was kept up for two days by invisible enemies, who ran from loophole to loophole with the agility of monkeys. General Lamoricire commanded here, and having ordered cannon and mortars, he made breaches in the barricades, and reduced many of the fortified houses to heaps of ruins. The Faubourg St. Antoine was surrounded by troops on all sides. The insurgents were summoned to surrender, and after some parleying, a flag of truce was sent forward, and they finally submitted, permitting the troops to take quiet possession of the district. General Cavaignac at once announced the result to the President of the Assembly, stating that the revolt was suppressed, that the struggle had completely ceased, and that he was ready to resign his dictatorship the moment the powers confided to him were found to be no longer necessary for the salvation of the public. He resigned accordingly, but he was placed at the head of the Ministry, as President of the Council. During this tremendous conflict between the Red Republicans and the guardians of society more than 300 barricades had been erected, 16,000 persons were killed and wounded, 8,000 prisoners were taken, and the loss to the nation by the insurrection was estimated at 30,000,000 francs.

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Each union of parishes, or each parish, if large and populous enough, was placed under the management of a board of guardians, elected annually by the ratepayers; but where under previous Acts an organisation existed similar to that of unions or boards of guardians, under the Poor Law Amendment Act these were retained. The following table exhibits the local divisions of England and Wales made under that Act:[See larger version]
ONE:[See larger version]Some of the writers of the last period were still existing in this. Dryden was living, and wrote some of his most perfect works, as his "Fables," and his "Alexander's Feast," as well as translated Virgil after the Revolution. He was still hampered by his miserable but far more successful dramatic rivals, Shadwell and Elkanah Settle. Nathaniel Lee produced in William's time his tragedies, "The Princess of Cleves," and his "Massacre of Paris." Etherege was yet alive; Wycherley still poured out his licentious poems; and Southern wrote the greater part of his plays. His "Oronooko" and his "Fatal Marriage" were produced now, and he received such prices as astonished Dryden. Whilst "Glorious John" never obtained more than a hundred pounds for a play, Southern obtained his six or seven hundred.
On the 15th of March he took a more decided position of hostility to the Cabinet, by moving for an inquiry into the state of the navy. The Earl St. Vincent was now First Lord of the Admiralty, and he proved quite incompetent. Many gunboats had been broken up from motives of economy, and naval stores sold, for the most part, to the French. Pitt declared that only twenty-three gunboats had been built since January, 1803, and that the whole management of the navy was inert.THE CONQUERORS OF THE BASTILLE. (After the Picture by Fran?ois Flameng.)PIUS IX. QUITTING THE VATICAN IN DISGUISE. (See p. 583.)The coarse manners of the gentlemen were gradually yielding to refining influences, but the society of ladies amongst the upper classes was generally neglected. Husbands spent their days in hunting or other masculine occupations, and their evenings in dining and drinking; the dinner party, which commenced at seven, not breaking up before one in the morning. Four- or five-, or even six-bottle men were not uncommon among the nobility. Lord Eldon and his brother Lord Stowell used to say that they had drunk more bad port than any two men in England. The Italian Opera was then the greatest attraction. It became[441] less exclusive in its arrangements when the Opera House was under the management of Mr. Waters; but the strictest etiquette was still kept up with regard to the dress of gentlemen, who were only admitted with knee-buckles, ruffles, and chapeaux bras. If there happened to be a Drawing Room, the ladies as well as the gentlemen would come to the opera in their Court dresses.
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