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THREE:In some cases it was possible to recover part, though often only a fragment of their possessions; in other cases not: it depended to a great extent what or who the forfeited estates belonged to. Sometimes, as in the case of the Duchess d��Ayen, people who had not emigrated, were allowed, even if they were murdered, to leave their estates to their families; but the whole state of things seemed an inextricable confusion impossible to explain; especially in a work of this kind.Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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