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Mme. Le Brun took the greatest pleasure in her intercourse with the Queen. Having heard that she had a good voice and was passionately fond of music, Marie Antoinette asked her to sing some of the duets of Grtry with her; and scarcely ever afterwards did a sitting take place without their playing and singing together.

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In spite of his friendships with the leaders of the Revolution, his adoption at first of many of their ideas, and the fte Constitutionelle he gave in their honour, M. de Fontenay, like many others, began to see that things were going much further than he expected or wished. He was neither a young, foolish, generous enthusiast like La Fayette, de Sgur, de Noailles, and their set, nor a low ruffian thirsting for plunder and bloodshed, nor a penniless adventurer with everything to gain and nothing to lose; but an elderly man of rank, fortune, and knowledge of the world, who, however he might have tampered with the philosophers and revolutionists, as it was the fashion to do, had no sort of illusions about them, no sympathy whatever with their plans, and the greatest possible objection to being deprived of his title of Marquis, his property, or his life. In fact, he began to consider [289] whether it would not be more prudent to leave the country and join M. Cabarrus in Spain, for he was not separated from his wife, nor was there any open disagreement between them. They simply seem to have taken their own ways, which were not likely to have been the same. Trzia was then much more inclined to the Revolution than her husband, believing with all the credulity of youth in the happiness and prosperity it was to establish. Of her life during 1791 and the first part of 1792 little or nothing is known with any certainty, though Mme. dAbrants relates an anecdote told by a Colonel La Mothe which points to her being in Bordeaux, living or staying with her brother, M. Cabarrus, and an uncle, M. Jalabert, a banker, each of whom watched her with all the jealousy of a Spanish duenna, the brother being at the same time so disagreeable that it was almost impossible to be in his company without quarrelling with him.The same may be said of Paulines young aunt, Mme. de Bouzolz, who died the same year.
ONE:However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.THE early years of the childhood of Elisabeth Vige were peaceful and happy enough, and already at a tender age the genius which was to determine and characterise her future life began to appear. According to the usual custom she was placed in a convent to be educated, and though only six years old when she was sent there, she had then and during the five years of her convent life, the habit of drawing and scribbling perpetually and upon everything she could lay her hands on, much to the displeasure of the good Sisters and of her companions.

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TWO:Go and fetch the police! go quick! They are murdering some one. I heard cries, groans, and chains! Run, if you want to save him from these wretches!Through all this time it is not clear exactly where Trzia was, probably at Paris and at Fontenay, but the relations between herself and her husband did not improve, and without any violent enmity between them, she had several times thought of getting a divorce from him.

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TWO:

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TWO:Madame, he replied, that man is the friend of the State, which is the only thing that ought to be considered.

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TWO:They were all entirely under the domination of the Empress, against whose will nobody dared to rebel, though Paul as a child used to ask his tutor why his father had been killed and why his mother wore the crown which ought to have been his.

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Flicit seems, however, to have always considered that she made a mistake, or, indeed, as she says, committed a fault, one of the greatest in her life, by doing so; if so, it does not appear to be a surprising one, as the plan certainly would have offered strong attractions and inducements even to a woman less vain and ambitious than she was, but [385] it is certain that it caused many calamities and exercised an evil influence for which no advantages could compensate. She left the h?tel de Puisieux before Madame was up in the morning, as she dreaded the parting, and as her apartment in the Palais Royal was not ready she was lodged in one that had belonged to the Regent, with a door into the rue de Richelieu. She nearly had an accident before she got out of the carriage, and felt low-spirited and unhappy, wishing herself back in her own room at the h?tel de Puisieux as she looked round the luxurious boudoir lined with mirrors, which she did not like at all, and which seemed associated with the orgies of the Regency, of which it had been the scene.Talma had, in the kindness of his heart, concealed in his house for a long time two proscribed men. One was a democrat and terrorist, who had denounced him and his wife as Girondins. For after the fall of Robespierre the revolutionary government, forced by the people to leave off arresting women and children, let the royalists alone and turned their fury against each other. Besides this democrat who was hidden in the garret, he had a royalist concealed in the cellar. They did not know of each others presence, and Talma had them to supper on alternate nights after the house was shut up. At last, as the [467] terrorist seemed quite softened and touched and polite, Talma and his wife thought they would venture to have them together. At first all went well, then after a time they found out who each other were; and on some discussion arising, their fury broke forthMme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.However they were none of them in the same danger that she would have been had she remained at Paris. None of them were at all conspicuous, and as far as any one could be said to be tolerably safe in France under the new reign of Liberty, Equality, and Fraternity, they might be supposed to be so.

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