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For no one knew better than he did the histories and genealogies of his noblesse, and that he did not hesitate to explain them even when to his own disadvantage, the following anecdote shows:
ONE:COMTESSE DANDLAU ONE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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FORE:Their great stronghold was the salon of Mme. Geoffrin, where all the radical, atheist, and philosophic parties congregated. DAlembert, Condorcet, Turgot, Diderot, Morellet, Marmontel, and many other celebrated names were amongst the intimate friends of the singular woman, who although possessing neither rank, beauty, talent, nor any particular gift, had yet succeeded in establishing a salon celebrated not only in France but all over Europe. Owing to her want of rank she could not be presented at court, and yet amongst her guests were many of the greatest names in France, members of the royal family, strangers of rank and distinction. She knew nothing of art or literature, but her Monday dinners and evenings were the resort of all the first artists of the day, and her Wednesdays of the literary and political world.
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FORE:
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FORE:He now proposed to enter his fathers regiment, and Pauline said she would go with them. As they were in great want of money she sold her diamonds, worth more than 40,000 francs, for 22,000, and they went first to Aix-la-Chapelle, where she remained while her husband and his father proceeded to the camp at Coblentz.
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FORE:She also was thrown very early into society; but she entered it as a member of one of the greatest families in France, surrounded by an immense number of relations of the highest character and position.

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  • FORE:There was a violent scene between the two brothers, the Comte dArtois threatened to borrow the money he could not extort, and the King, after reproaching him for his conduct, ordered him to his own apartment, intending to punish him by means of a lettre de cachet. But then, as always, [203] the irresolution and weakness of Louis XVI. more than counterbalanced his good intentions.But Louis refused, and when the ruffians surrounded the chateau, forbade them to be fired on, [216] which order, when they heard, they began to massacre the gardes-du-corps, who were not allowed to defend themselves! Donec sit amet ligula enim. Duis vel condimentum massa.

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Poinsinet, the author, was a man of very different calibre. That he had plenty of ability was proved by the fact that on the same evening he obtained three dramatic successes, i.e., Ernelinde at the Opera, Le Cercle at the Fran?ais, and Tom Jones at the Opra-Comique. But his absurd credulity made him the object of continual practical jokes, or mystifications as they were called.But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.
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